How is design consumed? Or is it consuming us? Cubes issue 92 takes a moment to digest design, to ruminate on how we use it to improve the ways we live, how it is increasingly become a sought-after currency, and how narratives are in ever-greater demand.

On Cubes 92's cover is the ‘green heart’ of Marina One Singapore, a mixed use project by Ingenhoven Architects and Architects 61. Photo by HG Esch, courtesy of Ingenhoven Architects.
July 19th, 2018
What do people find meaningful today, and how is that changing the way we design? As key aspects of life alter and evolve before our eyes, how are the ways we engage with, value and talk about design and architecture changing?
How does design bring us the ‘experience’ and ‘meaning’ that we crave? But perhaps more critically, how can design embed sustainable consumption into our environments and our lives?
This issue we take a moment to digest design – to ruminate on how we use it to improve the ways we live, how it’s increasingly becoming a sought-after currency, and how its narratives are in ever-greater demand.
A centrepiece of our featured content is the design world’s annual week of weeks in Milan, an ultimate – an increasingly crowded – experience of design immersion in April that revealed many threads for discussion of our theme.
We shine a light on the ways in which design innovation can affect how we consume goods and culture, and create identity. But we also ponder whether it’s time for a design reboot.
What is design’s agency in a world where traditional systems and relationships are broken and blurred? Can design make recycling a must have? Can sustainability principles be the agitator that redefines accepted typologies?
Many of these questions were addressed by the Official Winners of our second edition of the INDE.Awards, which we are proud to present in this issue. The 15 trophy winners and 12 honourable mention recipients were celebrated in Singapore on 22 June in an event that brought together 300 members of the architecture and design industries from far-flung corners of the Asia Pacific region.
Read more about the winners and the program of INDE.Awards fringe events we held here in Singapore on Indesignlive.sg. There are strong regional narratives to digest. Our warmest congratulations to all INDE.Awards 2018 Winners and we hope you enjoy the new issue!
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In a tightly held heritage pocket of Woollahra, a reworked Neo-Georgian house reveals the power of restraint. Designed by Tobias Partners, this compact home demonstrates how a reduced material palette, thoughtful appliance selection and enduring craftsmanship can create a space designed for generations to come.
At the Munarra Centre for Regional Excellence on Yorta Yorta Country in Victoria, ARM Architecture and Milliken use PrintWorks™ technology to translate First Nations narratives into a layered, community-led floorscape.
Fred Holt, Catherine Skinner and Louise Pearson join Timothy Alouani-Roby at The Commons to discuss Sydney’s new fish market just weeks after its grand opening.
The World Architecture Festival has named The Holy Redeemer Church and Community Centre of Las Chumberas in La Laguna, Spain as World Building of the Year 2025, alongside major winners in interiors, future projects and landscape.
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Mexican architecture studio LANZA atelier has been selected to design the Serpentine Pavilion 2026, which will open to the public in London’s Kensington Gardens on 6th June.
Returning to the Melbourne Convention and Exhibition Centre this February, Melbourne Art Fair 2026 introduces FUTUREOBJEKT and its first-ever Design Commission, signalling a growing focus on collectible design, crafted objects and cross-disciplinary practice.
Designed for two distinct contemporary planes, DuO Too and CoALL find common ground in their purposeful, considered articulations, profoundly rooted in the dynamics between humans and the spaces they interact with.