Gregory Commercial Furniture expands its Vibe brand with a winning design from the Creative Vibe Competition 2010.
December 6th, 2010
Ezgi Erdogan Yilmaz’s Konnect design was announced as winner of Gregory Commercial Furniture’s Creative Vibe Competition at a ceremony on 25 November 2010.

Award winner Yilmaz with Charles Wright, Acting General Manager of Gregory Commercial Furniture.
Future Seating was the theme, and Yilmaz’s Konnect was chosen out of seven finalists shortlisted for the award from a number of high calibre entries.
Yilmaz’s winning design will become part of Gregory Commercial Furniture’s Vibe brand portfolio, a series of locally designed and manufactured products from the Creative Vibe competition and Gregory’s unique designs.

Yilmaz’s winning design.
Fabric kindly donated by Instyle Fabrics – Sense/Glamour (Pink) and Sense/Sixth (Grey)
The Creative Vibe design competition was launched in 2006 to entrants from Australia and New Zealand to recognise the potential of local designs to future industry growth.
This year, Gregory Commercial Furniture invited students to participate in a new student division of the awards, with contestants in the running to win a mentoring program with GCF house designer Kevin Brookes.
Daniel Virgona took out the student prize with his Alva design.

Student division winner Daniel Virgona with Charles Wright.
GCF’s commitment to local innovation and design will continue next year with the Creative Vibe Competition 2011.

2010 winners and judges Maree Draper, Sales and Marketing Manager of Gregory Commercial Furniture, and Kevin Brookes, R & D Manager. Judges Matthew Sheargold, Principal of Sheargold, and Amanda Stanway, Senior Associate, Woods Bagot, were absent on the night.
Gregory Commercial Furniture
gregoryaustralia.com.au
INDESIGN is on instagram
Follow @indesignlive
A searchable and comprehensive guide for specifying leading products and their suppliers
Keep up to date with the latest and greatest from our industry BFF's!
In the second instalment of our performance seating three-parter, we turn to DKO’s Michael Drescher and Jacob Olsen to peek behind Sayl’s confident architectural form and explore the ideas of inclusivity, adaptability and freedom to move as hallmarks of what sitting your best actually means.
Stepping into Intuit’s Sydney workplace certainly doesn’t feel like walking into an office. Why? In this film, we discover that, when joy takes precedence as a design driver, even a high-performing commercial CBD headquarters can feel like an intuitive wonderland that invites employees to choose their own adventure.
Blending versatile cooking with smart performance, Bosch AccentLine appliances bring a quieter sense of order and simplicity to the modern kitchen.
In the last instalment of our three-part performance seating series, Alex Bain from Architectus explains why sitting well shouldn’t feel like sitting at all and explores an unexpected success metric of the hybrid workplace: the grounding power of emotional support.
XTRA celebrates the distinctive and unexpected work of Magis in their Singapore showroom.
Following in the footsteps of the city’s Federation Square, Melbourne’s skyline is changing once more with the Rectangluar Stadium’s bio-frame roof beams being installed. The 31,000-capacity stadium, with a $268 million price tag is expected to generate around $775 million in benefits for construction and associated industries. “Anybody driving or walking the area can really […]
The internet never sleeps! Here's the stuff you might have missed
At Salone del Mobile 2026, Catalan designer Eugeni Quitllet launched Libre, a new seating collection with Pedrali that focuses on form, function and ergonomics.
J.AR OFFICE’s hospitality venue in Brisbane strives to create a small oasis of shade and greenery amidst the concrete jungle of the city. Jared Webb tells us more.