Lucy Bullivant explores the cathedral of seeds by Thomas Heatherwick.
April 27th, 2010
WORDS LUCY BULLIVANT
PHOTOGRAPHY DANIELE MATTIOLI
The UK Pavilion at the Shanghai Expo 2010 looks like a hedgehog having a snooze.
At night his spikes glow like a giant halo. Tens of thousands of tiny points of light illuminate hundreds of seeds encased within the tips of 60,000 fibre optic filaments piercing the walls of the 25m structure set on a bed of angled silver astroturf.

Dubbed ‘the Seed Cathedral’ by designer Thomas Heatherwick, inside you can get a close look at the seeds at the ends of the filaments.
These cover the curvacuous inner walls in a giant hair-brush effect and gently undulate in response to changing light and wind conditions.

‘We made a deliberate choice to avoid having tv screens, flashing led lights and big text panels’, says designer of the Pavilion, Thomas Heatherwick. ‘It’s experiential and meaningful’, spelling out the human value of seeds, sourced from China by the Millennium Seedbank at Kew Gardens, now collecting seeds of 25% of the world’s plant species by 2020.

Running along three edges of the site in a canopied circulation zone is an exhibition about Nature in London curated and designed by the wunderkind interactive trio Troika, who are never boring.

Kinetic Light Rain Engines along one walkway, poetic and playful, lead to a translucent urban diorama and fictitious plants, for example, leaves that stop thieves, mushrooms that absorb sound, gold weed for making computers out of.
Concocted with scientists and biologists in a welcome Dunne + Raby-like designers-as-mad-scientists touch, their biodiversity has few limits.
UK Pavilion Shanghai Expo
ukshanghaiexpo.com
INDESIGN is on instagram
Follow @indesignlive
A searchable and comprehensive guide for specifying leading products and their suppliers
Keep up to date with the latest and greatest from our industry BFF's!
The Geelong College’s Sport and Wellbeing Centre ‘Belerren’ designed by Wardle is designed around bringing in natural light. But Shade Factor’s job was to help modulate and precisely control it for the most important competitive moments.
In the first instalment of our three-part series exploring what it means to sit your best, we pose the question to Gray Puksand’s Dale O’Brien, who discusses the importance of ease and majority rule when it comes to sitting and reveals why specifying a task chair is not unlike choosing a Volvo.
Natural stone shapes the interiors of Billyard Avenue, a luxury apartment development in Sydney’s Elizabeth Bay designed by architecture and design practice SJB. Here, a curated selection of stone from Anterior XL sets the backdrop for the project’s material language.
In the last instalment of our three-part performance seating series, Alex Bain from Architectus explains why sitting well shouldn’t feel like sitting at all and explores an unexpected success metric of the hybrid workplace: the grounding power of emotional support.
Opening in October 2025, The Standard, Pattaya Na Jomtien brings together ONION, DIN Studio, Studio Lupine and Verena Haller to create a sculptural modernist retreat where art, architecture and coastal culture meet.
Central Sydney has hit an all-time high in building activity, with property developers lodging applications for projects valued at a record $7.45 billion.
The internet never sleeps! Here's the stuff you might have missed
AFK Studios’ Earle Arney joined STORIESINDESIGN podcast last year to speak about SyLon. Here, we reproduce a summary on a recent report with NLA that builds on research into housing as infrastructure amidst a landscape of housing crisis.
At Salone del Mobile 2026, Catalan designer Eugeni Quitllet launched Libre, a new seating collection with Pedrali that focuses on form, function and ergonomics.
Scheduled to open later this year on the banks of the Parramatta River, the 30,000-square-metre Powerhouse museum — designed by Moreau Kusunoki in collaboration with Genton — represents a major shift in the geography of Sydney’s cultural infrastructure.