With the end of early submissions, the Red Dot Award: Design Concept 2014 enters standard submission period with full speed ahead.
With the end of early submissions, the Red Dot Award: Design Concept 2014 enters standard submission period with full speed ahead.
February 19th, 2014
Red Dot Award: Design Concept is one of the largest professional design concept competitions in the world. With an international jury consisting of experts from diverse fields, the award serves as a fair, recognised, and indisputable benchmark for creativity and design excellence in the industry.
With 4,394 entries submitted from 57 countries in the year 2013, the award has grown to be of international significance for companies, design studios, universities and designers alike.
Calling on design teams, designers, inventors, students, teachers, research institutes, design departments, architects, engineers, any one with a great design idea to take notice.
Standard submission period of the Red Dot Award: Design Concept 2014 will end on the 2nd April.
Concept categories for Red Dot Award: Design Concept 2014 have increased to 29. The categories are deliberately kept wide to ensure that imagination is not being limited. Find out more.
Red Dot Award: Design Concept 2014
Standard submission period: 30 January 2014 – 2 April 2014
Late submission period: 3 April 2014 – 21 May 2014
Awarding ceremony: 26 September 2014
Further information: www.red-dot.sg
Special exhibition: From 27 September 2014 at the Red Dot Design Museum Singapore
Online exhibition: From 27 September 2014 at
www.red-dot.sg/online-exhibition
Red Dot Award: Design Concept 2014 standard submission period ends 2 April 2014.
Information available at www.red-dot.sg.
INDESIGN is on instagram
Follow @indesignlive
A searchable and comprehensive guide for specifying leading products and their suppliers
Keep up to date with the latest and greatest from our industry BFF's!
Natural stone shapes the interiors of Billyard Avenue, a luxury apartment development in Sydney’s Elizabeth Bay designed by architecture and design practice SJB. Here, a curated selection of stone from Anterior XL sets the backdrop for the project’s material language.
In the second instalment of our performance seating three-parter, we turn to DKO’s Michael Drescher and Jacob Olsen to peek behind Sayl’s confident architectural form and explore the ideas of inclusivity, adaptability and freedom to move as hallmarks of what sitting your best actually means.
In the last instalment of our three-part performance seating series, Alex Bain from Architectus explains why sitting well shouldn’t feel like sitting at all and explores an unexpected success metric of the hybrid workplace: the grounding power of emotional support.
Stepping into Intuit’s Sydney workplace certainly doesn’t feel like walking into an office. Why? In this film, we discover that, when joy takes precedence as a design driver, even a high-performing commercial CBD headquarters can feel like an intuitive wonderland that invites employees to choose their own adventure.
The team at Indesign is busy preparing the schedule for the year’s biggest international design fair. Let us know if you’ll be there too!
We are all settling into a new way of working now that the pandemic is somewhat behind us. However, changes are occurring within the very structure of work itself across the architecture and design community, with flexibility, health and wellbeing taking centre stage.
Featured in the new Indesign magazine, now on sale, Warren and Mahoney’s Melbourne studio has been conceptualised through strong cultural narratives. Principal Daryl Maguire shares how the practice led with heart to achieve a symbiotic response that also met key workplace objectives.
The internet never sleeps! Here's the stuff you might have missed
At Hornsby Park, AJC Architects’ Southern Lookout marks the first architectural intervention in the transformation of a former quarry into a major public landscape.
Founded by Richard Munao in 2017, NAU’s presentation at 3daysofdesign builds on decades of groundwork by Cult and marks a confident moment for Australian design overseas.
In this interview, Michael Leeton reflects on his philosophy of placemaking, connection to landscape and the importance of designing homes that balance intimacy with scale, using his award-winning project House on a Hill as a central reference point.