The home of architecture and design in the Asia-Pacific

Get the latest design news direct to your inbox!

‘Looking Full’ at Beam Contemporary

Natalya Hughes latest collection of work deconstructs, reconfigures and rewrites figurative images to form partially abstracted and highly patterned psychological worlds. Working broadly across painting, print, animation and installation, Hughes conflates the boundaries between beauty and the grotesque, realism and abstraction.

‘Looking Full’ at Beam Contemporary


BY

April 2nd, 2013


In her new series of paintings, Looking Full, Hughes continues this exploration finding, inspiration in traditional Japanese woodblock prints that depict demur female portraits. Here, Hughes reconstructs these portraits to create imagery that straddles figurative and abstract patterning. This process, together with her use of titles, such as ‘Looking Itchy’, ‘Looking Suitable’, ‘Looking as if she wants to Change’, uncovers the latent characteristics of these sitters. In turn they invite a different kind of ‘look’.

 

Natalya Hughes, Looking Cool, 2013, Acrylic on ply board. Courtesy of the artist.

 

Exhibition runs 22rd March – 27th April at Beam Contemporary; level 1, 30 guildford lane melbourne victoria 3000 australia
beamcontemporary.com.au

Hero image: Natalya Hughes, Looking as if She Wants to Change, 2013, Acrylic on ply board. Courtesy of the artist.

 

INDESIGN is on instagram

Follow @indesignlive


The Indesign Collection

A searchable and comprehensive guide for specifying leading products and their suppliers


Indesign Our Partners

Keep up to date with the latest and greatest from our industry BFF's!

Dale O’Brien on sitting easy with Herman Miller’s Verus Chair

Dale O’Brien on sitting easy with Herman Miller’s Verus Chair

In the first instalment of our three-part series exploring what it means to sit your best, we pose the question to Gray Puksand’s Dale O’Brien, who discusses the importance of ease and majority rule when it comes to sitting and reveals why specifying a task chair is not unlike choosing a Volvo.

Dipped in integrity: The profound depth of Aeron Chair’s extended palette

Dipped in integrity: The profound depth of Aeron Chair’s extended palette

Aeron Chair’s new shades, Nightfall and Jasper, arrive with a sense of quiet cohesion – no bells and whistles, no loud technicolour; just two timeless, perfectly versatile near-neutrals. But the new hues aren’t just about colour – and their significance is much more profound than their surface-level subtlety might suggest.

Michael Drescher and Jacob Olsen on finding the sweet spot with Herman Miller’s Sayl Chair

Michael Drescher and Jacob Olsen on finding the sweet spot with Herman Miller’s Sayl Chair

In the second instalment of our performance seating three-parter, we turn to DKO’s Michael Drescher and Jacob Olsen to peek behind Sayl’s confident architectural form and explore the ideas of inclusivity, adaptability and freedom to move as hallmarks of what sitting your best actually means.

In a different light: The Geelong College’s Belerren Centre designed by Wardle

In a different light: The Geelong College’s Belerren Centre designed by Wardle

The Geelong College’s Sport and Wellbeing Centre ‘Belerren’ designed by Wardle is designed around bringing in natural light. But Shade Factor’s job was to help modulate and precisely control it for the most important competitive moments.

Related Stories


While you were sleeping

The internet never sleeps! Here's the stuff you might have missed