Myer extends its downtown tradition to Melbourne’s Docklands in an elegant new BVN building
November 29th, 2010
WORDS PAUL MCGILLICK
PHOTOGRAPHY JOHN GOLLINGS
Melbourne is a city of traditions and Melbournians treasure connections to the past. They like that sense of continuity which is invariably linked to a place, a building or an institution.
Now, nothing is more Melbourne than the Myer department store – although it is actually just one of 67 stores across the nation, the first having opened in Bendigo in 1900. Positioned right in the middle of the CBD, it is the ideal location for a department store. The problem was that the early 20th Century building was not working as a head office with all the activities that implied. It was, says Damian Glass, Myer’s PR Manager, “a rabbit warren”.
“The brief,” explains Jane Williams, BVN’s joint principal architect for interior design on Myer’s new Docklands head office, “was to create a contemporary new workplace that would support their retail business. And that was quite an interesting journey for us to go on as architects – having worked with lawyers and bankers – because this is such a unique business and there are very few retailers like this in Australia.”
The value of a co-located head office and store was the ready access to the shop floor and there were people who were nervous about moving head office away to Docklands. But the Lonsdale Street offices posed all sorts of logistical problems – moving stock and samples in and out, viewing products and setting up presentations – while the absence of natural light was an obstacle to assessing the suitability of clothing.
Read the full story on page 98 of Indesign magazine Issue #43, in stores now.
A searchable and comprehensive guide for specifying leading products and their suppliers
Keep up to date with the latest and greatest from our industry BFF's!
In the bid to balance the desire to live amongst nature with the modest footprint of today’s homes, designer Victoria Azadinho Bocconi looks for inspiration in the depths of the Amazon jungle.
The workplace has changed – and it will continue to evolve. With dynamism at the heart of clients’ requirements, architects and designers at leading practices such as Elenberg Fraser are using and recommending Herman Miller’s OE1 products for the future workplace.
Bidding farewell to mundane and uninspired office spaces, colour has transformed our workplaces into layered and engaging environments. So we sit down with Karina Simpson, Hot Black’s Workplace Lead, to talk about the influence colour has on the workspace landscape through the prism of Herman Miller’s progressive colour philosophy.
Introduced as “the ultimate maker”, British designer Thomas Heatherwick delighted the audience at the 2012 WAF. Narelle Yabuka reports
The Avion Collection designed by Keith Melbourne for Stylecraft brings a modular and incredibly flexible option for the workplace. It’s a new kind of agile versatility.
The internet never sleeps! Here's the stuff you might have missed
SJB is well versed in designing residential architecture and, while Ashbury Terraces might be a relatively small project in relation to Sydney as a whole, it provokes some fundamental questions about the future of Australian cities.
To mark 40 years of design excellence, founder and CEO Nerio Alessandri recently came to Sydney. We spoke to the Italian design icon at a bustling event at Technogym’s Ruschutters Bay showroom.
Functional and concise, the designs of Noom are an exercise in craft and artisanship. Composed of simple geometric shapes, each piece is made in the designers’ Ukraine workshop.
The North Building at the Art Gallery of New South Wales is complete. Part of the Sydney Modern Project and designed by Japanese practice SANAA, with Architectus as executive architects, it is a magical, ethereal spatial experience and a globally significant building.