Out today, the latest issue of BRW magazine includes an 8-page feature on the Australian International Design Awards (AIDA), a division of Standards Australia, titled: ‘Why Design Means Business’. As well as profiling the latest entries to the Awards program, the feature points out the strengths of Australian product design. “The article positions Design as […]
January 22nd, 2009
Out today, the latest issue of BRW magazine includes an 8-page feature on the Australian International Design Awards (AIDA), a division of Standards Australia, titled: ‘Why Design Means Business’.
As well as profiling the latest entries to the Awards program, the feature points out the strengths of Australian product design.
“The article positions Design as one of the most influential professions of these tough economic times by proving through pages or colourful product examples that investment in professional design yields more than mere good looks,” says Stephanie Watson of AIDA.
Speaking to industry professionals such as Steven Martinuzzo of CobaltNiche and Brand Consultant, Ken Cato, of Cato Partners, the piece notes that the economic downturn may have the positive effect of a move by consumers away from cheaper, mass-produced items, to quality designs that last longer.
Overall it appears that for Design firms to succeed in the coming months they will need to become more creative and keep in mind that making money from design is all about innovation.
If you can get your hands on a copy it is well worth a read.
INDESIGN is on instagram
Follow @indesignlive
A searchable and comprehensive guide for specifying leading products and their suppliers
Keep up to date with the latest and greatest from our industry BFF's!
The Geelong College’s Sport and Wellbeing Centre ‘Belerren’ designed by Wardle is designed around bringing in natural light. But Shade Factor’s job was to help modulate and precisely control it for the most important competitive moments.
Aeron Chair’s new shades, Nightfall and Jasper, arrive with a sense of quiet cohesion – no bells and whistles, no loud technicolour; just two timeless, perfectly versatile near-neutrals. But the new hues aren’t just about colour – and their significance is much more profound than their surface-level subtlety might suggest.
In the last instalment of our three-part performance seating series, Alex Bain from Architectus explains why sitting well shouldn’t feel like sitting at all and explores an unexpected success metric of the hybrid workplace: the grounding power of emotional support.
In the second instalment of our performance seating three-parter, we turn to DKO’s Michael Drescher and Jacob Olsen to peek behind Sayl’s confident architectural form and explore the ideas of inclusivity, adaptability and freedom to move as hallmarks of what sitting your best actually means.
In this SpeakingOut! Interview, Peter Titmuss from BVN explores the complexities of adaptive reuse through the transformation of Sirius, unpacking how legacy, sustainability and contemporary living can coexist within one of Sydney’s most debated residential buildings.
The internet never sleeps! Here's the stuff you might have missed
Kengo Kuma, founder of Kengo Kuma & Associates and Pritzker Prize-winning architect, talks us through his collaboration with Jaipur Rugs that culminated with a showing at Milan Design Week 2026.