Italian-based Mattiazzi is putting bespoke back into our industry.
September 30th, 2015
It’s certainly no secret that the world is changing. People want more – they want it now – and for less! This rapid shift in consumer demand has forced many designers to either take their manufacturing overseas or cut costs and corners somewhere else.
This is a dangerous reaction to the market, and one that will not boad-well for the future of design. But fear not! There are still a community of dedicated artisans, committed to preserving their hand-made craft; offering more than pieces of furniture, but authentic pieces of history.



Among these contemporary furniture manufacturers is Mattiazzi, the family owned producer of wooden furniture in Udine, Italy.
While many producers in that region rely on third party factories and work in diverse materials, Mattiazzi operates with their own machines and hands, and has developed a healthy obsession for woodworking.



Since 1979, when brothers Nevio and Fabiano Mattiazzi founded the company, Mattiazzi has steadily cultivated its local manufacturing culture. Their network of wood shops is diverse enough to support any manufacturing process the brand may need. Every shop has its own focus, from milling to lacquering, and a particular process always belongs to a specific part of town.
But don’t let the neighborhood approach confuse you: Mattiazzi is no backyard shop. Their highly specialized craftsmen operate the most sophisticated machinery available to the wood industry. A ten-axis CNC milling machine allows wood to take the complex shapes associated with injection-molded plastic. Operating such a machine is an art and Mattiazzi disproves the modern myth that mechanized manufacturing is not a craft.

For 30 years Mattiazzi worked exclusively as a subcontractor for other brands and built a reputation in the furniture industry for making the most challenging wooden products. They bring their expertise with them as they take their first steps into the role of an independent, holistic brand. They hired a young Munich based office, Studio Nitzan Cohen, to design their first pieces. These designs push and exploit the potential of Mattiazzi’s craft. Berlin based graphic designer Florian Lambl is art directing the brand, building from their heritage and helping them to create a new tradition.
Mattiazzi is extending the reach of their machines and hands, and their new direction is an exciting twist in a story that was already worth following.
Mattiazzi is distributed in Australia exclusively through District.
INDESIGN is on instagram
Follow @indesignlive
A searchable and comprehensive guide for specifying leading products and their suppliers
Keep up to date with the latest and greatest from our industry BFF's!
Stepping into Intuit’s Sydney workplace certainly doesn’t feel like walking into an office. Why? In this film, we discover that, when joy takes precedence as a design driver, even a high-performing commercial CBD headquarters can feel like an intuitive wonderland that invites employees to choose their own adventure.
The Geelong College’s Sport and Wellbeing Centre ‘Belerren’ designed by Wardle is designed around bringing in natural light. But Shade Factor’s job was to help modulate and precisely control it for the most important competitive moments.
In the last instalment of our three-part performance seating series, Alex Bain from Architectus explains why sitting well shouldn’t feel like sitting at all and explores an unexpected success metric of the hybrid workplace: the grounding power of emotional support.
In the first instalment of our three-part series exploring what it means to sit your best, we pose the question to Gray Puksand’s Dale O’Brien, who discusses the importance of ease and majority rule when it comes to sitting and reveals why specifying a task chair is not unlike choosing a Volvo.
In 2014, ClarkeHopkinsClarke won ‘Best Education Initiative or Design Solution for an Innovative Program’ for the Elizabeth Blackburn School of Sciences. We talk to education specialist and Partner in charge Wayne Stephens about the project.
Craft, legacy, and American hardwoods converge in a collection that proves great design has no fixed address – one remarkable conversation across generations, geographies, and design traditions.
The internet never sleeps! Here's the stuff you might have missed
Joanne Odisho has been named the 2026 Australian Furniture Design Award winner for Mod-u, a modular lighting system made from eggshell composites and bio-filament.