The artisanal glass factory establishes a retail presence in Asia with a dark, sexy shop designed by Studio Tapiro.

indesignlive.sg
February 16th, 2016
Venetian glass factory Carlo Moretti has just opened its first Asia store in Tokyo: designed by Studio Tapiro, the space references the Murano brand’s very first store in San Moisè, Venice.

Colourful mouth-blown glassware shine against the dark backdrop of Carlo Moretti’s Tokyo store
Also hailing from Venice, Studio Tapiro works on everything from signage to temporary event spaces and interiors. Their design for the Tokyo store pays homage to Carlo Moretti’s heritage through its use of materials, which are the same raw materials as those found in the brand’s Murano factory. The 750-square-metre Tokyo store is darkly beautiful, with shelves in dark wenge, anthracite metal structures, textured, grey wenge floors and dark grey Marmorino Veneziano plaster on the ceiling. The dark backdrop allows Carlo Moretti’s vibrant mouth-blown glassware to take centrestage – an approach that’s further enhanced by vertically suspended spotlights.

Suspended spotlights place the focus on the glassware
Two wall panels also celebrate the beauty of Carlo Moretti’s glassware; here, images of colourful pieces have been blown up to show details of curves and the texture of the glass.
A Tokyo showroom will follow later in 2016; both this and the store are the result of collaboration with Carlo Moretti’s local distributor, Manak Corporation.
Carlo Moretti, 1/F, Ginza MS Building, 1-8-5 Ginza Chuo-ku, Tokyo.
Carlo Moretti
carlomoretti.com
Studio Tapiro
tapirodesign.eu
INDESIGN is on instagram
Follow @indesignlive
A searchable and comprehensive guide for specifying leading products and their suppliers
Keep up to date with the latest and greatest from our industry BFF's!
In the first instalment of our three-part series exploring what it means to sit your best, we pose the question to Gray Puksand’s Dale O’Brien, who discusses the importance of ease and majority rule when it comes to sitting and reveals why specifying a task chair is not unlike choosing a Volvo.
In the second instalment of our performance seating three-parter, we turn to DKO’s Michael Drescher and Jacob Olsen to peek behind Sayl’s confident architectural form and explore the ideas of inclusivity, adaptability and freedom to move as hallmarks of what sitting your best actually means.
Aeron Chair’s new shades, Nightfall and Jasper, arrive with a sense of quiet cohesion – no bells and whistles, no loud technicolour; just two timeless, perfectly versatile near-neutrals. But the new hues aren’t just about colour – and their significance is much more profound than their surface-level subtlety might suggest.
As Woven Image celebrates 40 years, it introduces a new collection developed in collaboration with Australian artist Ben Goss, inspired by his original artwork Where the Kookaburra Sits into a vibrant collection of digitally printed EchoPanel® murals and patterns.
The internet never sleeps! Here's the stuff you might have missed
Founded by Richard Munao in 2017, NAU’s presentation at 3daysofdesign builds on decades of groundwork by Cult and marks a confident moment for Australian design overseas.
In this SpeakingOut! episode, Greg Lamb explores the intersection of design and wellbeing, sharing the thinking behind Albion Bathhouse.