The artisanal glass factory establishes a retail presence in Asia with a dark, sexy shop designed by Studio Tapiro.

indesignlive.sg
February 16th, 2016
Venetian glass factory Carlo Moretti has just opened its first Asia store in Tokyo: designed by Studio Tapiro, the space references the Murano brand’s very first store in San Moisè, Venice.

Colourful mouth-blown glassware shine against the dark backdrop of Carlo Moretti’s Tokyo store
Also hailing from Venice, Studio Tapiro works on everything from signage to temporary event spaces and interiors. Their design for the Tokyo store pays homage to Carlo Moretti’s heritage through its use of materials, which are the same raw materials as those found in the brand’s Murano factory. The 750-square-metre Tokyo store is darkly beautiful, with shelves in dark wenge, anthracite metal structures, textured, grey wenge floors and dark grey Marmorino Veneziano plaster on the ceiling. The dark backdrop allows Carlo Moretti’s vibrant mouth-blown glassware to take centrestage – an approach that’s further enhanced by vertically suspended spotlights.

Suspended spotlights place the focus on the glassware
Two wall panels also celebrate the beauty of Carlo Moretti’s glassware; here, images of colourful pieces have been blown up to show details of curves and the texture of the glass.
A Tokyo showroom will follow later in 2016; both this and the store are the result of collaboration with Carlo Moretti’s local distributor, Manak Corporation.
Carlo Moretti, 1/F, Ginza MS Building, 1-8-5 Ginza Chuo-ku, Tokyo.
Carlo Moretti
carlomoretti.com
Studio Tapiro
tapirodesign.eu
INDESIGN is on instagram
Follow @indesignlive
A searchable and comprehensive guide for specifying leading products and their suppliers
Keep up to date with the latest and greatest from our industry BFF's!
The difference between music and noise is partly how we feel when we hear it. Similarly, the way people respond to an indoor space is based on sensory qualities such as colour, texture, shapes, scents and sound.
Herman Miller’s reintroduction of the Eames Moulded Plastic Dining Chair balances environmental responsibility with an enduring commitment to continuous material innovation.
The internet never sleeps! Here's the stuff you might have missed
Where East Meets West and where leading commercial galleries connect with global audiences in an energetic week of sales, conversations, programmes and cultural exchange.
Blurring the line between dessert bar and listening lounge, AIR Design Studio delivers a modular, low-waste fit-out where sound, sustainability and social ritual take centre stage.
Designed by Blight Rayner Architecture in partnership with Snøhetta, the Glasshouse Theatre is a rippling glass landmark that connects Brisbane’s public life with the performing arts.
In this SpeakingOut! Interview, Peter Titmuss from BVN explores the complexities of adaptive reuse through the transformation of Sirius, unpacking how legacy, sustainability and contemporary living can coexist within one of Sydney’s most debated residential buildings.