In an environment of increasing automation, Benoy (working with SAA Architects) develops an assuring hospitality-driven experience at Changi Airport’s new Terminal 4.

Photography by Owen Raggett (courtesy of Benoy)
August 2nd, 2017
Preview tours of Changi Airport’s new Terminal 4 (T4) building have gotten underway prior to the start of operations later this year, and the visually connected, light-filled interior is revealing some of the key factors influencing airport design at the moment.
“Efficiency and productivity were key points for Changi Airport Group,” says Neil Kee, Divisional Director at Benoy, “and in some ways, T4 is acting as a test bed for T5.” In an environment of increasing automation, the interior design was conceived as a means of providing an assuring experience.
Benoy served as the Concept Designer, Interior Designer, and Wayfinding and Signage Designer for the 225,000sqm T4. The firm worked as part of a design consortium appointed by Changi Airport Group and lead by Executive Architect SAA Architects. Other consultants included AECOM (structural engineering), Beca (MEP and IT), IGnesis (fire engineering), Lichtvision (lighting) and ICN Design International (landscape).
The latest operational technologies were incorporated at the new T4. The seamless travel approach of Changi has been extended further than before with features such as fully automated check-ins and bag drops, and biometric face recognition. Says Kee, “This is the first time a terminal has allowed for fully automated check-in. At first, a hybrid check-in service will be offered, but it can be converted to a fully automated procedure in future.”
Central to Benoy’s approach was to create an environment that is at once efficient, welcoming and friendly – a destination that people enjoy using, not simply a piece of infrastructure. “The non-aviation-related revenue of airports is increasing year after year,” says Kee, “through the F&B and retail offerings of airports. We needed to move away from the idea of an airport as a process-driven operation, and toward the idea of the airport as a destination. Our mixed-use background sits well with where aviation is heading, and T4 is a step toward allowing your holiday to start before you reach your destination.”
Unique at T4 is the transparency of the space. Open, naturally lit spaces with soft landscaping (reinforcing Singapore’s ‘City in a Garden’ character) and easy wayfinding offer a continuous experience throughout the terminal – both airside and landside. The design enables departing passengers to stay in visual contact with their friends and family through a Central Galleria – a glazed open space that separates the airside and landside areas. But furthermore, passengers can see where they’re headed at all times. “This has a positive impact on passenger flow and reduces stress,” explains Kee.
The Benoy team devoted much thought to how passengers might be made to feel a greater sense of empowerment, which would bolster their confidence when using automated processing technology. Transparency and natural light (through skylights) are part of that. So too is a hospitality approach to interior design.
Certain touchpoints became critical and a great deal of attention was paid to materiality – soft furnishings, carpet and warm natural stone. Bespoke user-interface counters were developed, and media walls (displaying destination information as well as behind-the-scenes narratives) add to the sense that the passenger is being looked after.
Aromatics was another area of focus, feeding into the creation of an immersive experience. Benoy also identified the need for information nodes and passenger ambassadors, building on the concept of the concierge from the hospitality industry.
INDESIGN is on instagram
Follow @indesignlive
A searchable and comprehensive guide for specifying leading products and their suppliers
Keep up to date with the latest and greatest from our industry BFF's!
As Woven Image celebrates 40 years, it introduces a new collection developed in collaboration with Australian artist Ben Goss, inspired by his original artwork Where the Kookaburra Sits into a vibrant collection of digitally printed EchoPanel® murals and patterns.
The newest brand to emerge from Cosentino’s creative crucible is Ēclos, a next-generation mineral surface that embodies the organic beauty and tactility of marble in a precision-mineral surface or material.
At 3daysofdesign 2026, AHEC’s immersive exhibition traced the journey of American hardwood from forest to finished product.
Aeron Chair’s new shades, Nightfall and Jasper, arrive with a sense of quiet cohesion – no bells and whistles, no loud technicolour; just two timeless, perfectly versatile near-neutrals. But the new hues aren’t just about colour – and their significance is much more profound than their surface-level subtlety might suggest.
New Office Works transforms a former airport precinct into a floating garden at The Cullinan, layering social and serene landscapes across two elevated levels overlooking Victoria Harbour.
With its latest outpost inside Shanghai’s bustling Hongqiao International Airport, HARMAY once again partners with AIM Architecture to reimagine retail through colour, movement and cultural expression.
The internet never sleeps! Here's the stuff you might have missed
With an in-your-face campaign from the Design Institute of Australia, Write DESIGNER urges every design professional to identify themselves in the upcoming census.
Presenting a sound and light event in Melbourne’s CBD, Autex Acoustics and DARKON showcased their exemplary products and raised the bar for better design.
Shortlisted in the 2026 INDE.Awards are a plethora of projects from Singapore and the Singapore Institute of Architects’ members. We celebrate the talent that resides in this country, as we showcase design that crosses borders and resonates in our Indo-Pacific region.