How are digital techniques affecting the practice and outcomes of design? Cubes Aug/Sept finds out.

On the cover of Cubes 87 is An Office Where Animals Live by teamLab Architects. Photo by Tomooki Kengaku / Nacasa and Partners (courtesy of teamLab Architects)
August 2nd, 2017
Design is digital. We’re being affirmative with that statement because every day it seems more evident that a threshold has been crossed in terms of the way digital technology is used in design and architecture practice. No longer is digital technology used just for drawing, organising, modelling and analysing; it has become generative, contributing to the creative process and affecting physical outcomes.
Not only does this disrupt the conventional role of design authorship; it also makes possible forms that we might not otherwise have been able to imagine and construct – particularly when new fabrication technologies are added to the mix. There are a lot of unknowns out there, and ‘possibility’ is a word that you’ll come across repeatedly in these pages.
The new relationship we find ourselves negotiating with our tools, and the new design outcomes that can result, are key themes we explore in this issue. But we also look more broadly at how technology is being incorporated into spaces and affecting our experiences of them – for example, via responsive digital artworks. Additionally, we investigate how the new digital habits we are adopting in our everyday lives are affecting the built environment. And what will our new technology-fuelled existence do to our relationship with nature and traditional modes of craft?
There’s plenty to contemplate in this issue. Including the winners of the inaugural INDE.Awards! We’re hitting newsstands this week, so grab your copy!
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Aeron Chair’s new shades, Nightfall and Jasper, arrive with a sense of quiet cohesion – no bells and whistles, no loud technicolour; just two timeless, perfectly versatile near-neutrals. But the new hues aren’t just about colour – and their significance is much more profound than their surface-level subtlety might suggest.
When Italian furniture maker, Pedrali partnered with design studio, Formafantasma, the collaboration was always going to result in something both elevated and imbued with impeccable detail and flair.
At 3daysofdesign 2026, AHEC’s immersive exhibition traced the journey of American hardwood from forest to finished product.
In the last instalment of our three-part performance seating series, Alex Bain from Architectus explains why sitting well shouldn’t feel like sitting at all and explores an unexpected success metric of the hybrid workplace: the grounding power of emotional support.
The latest print magazine is about to arrive! With Domenic Alvaro, Global Director at Woods Bagot, in the role of Guest Editor, the issue is feast of architectural wonders, cultural icons, and astounding products and furniture, lighting, and ideas.
In the New Year, architecture will be defined by its ability to orchestrate relationships between inside and outside, public and private, humans and ecology, and data and intuition.
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Shortlisted in the 2026 INDE.Awards are a plethora of projects from Singapore and the Singapore Institute of Architects’ members. We celebrate the talent that resides in this country, as we showcase design that crosses borders and resonates in our Indo-Pacific region.
Spaceagency Architects complete executive offices for the Prendiville Group through the restoration and conversion of the State Heritage-listed former Fremantle Technical School Annex.