Bene, SimonsVoss, Waldmann and Woven Image hosted a meet-and-greet for industry professionals at Singapore’s Bene Showroom on Wednesday 26 January 2011.
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In the second instalment of our performance seating three-parter, we turn to DKO’s Michael Drescher and Jacob Olsen to peek behind Sayl’s confident architectural form and explore the ideas of inclusivity, adaptability and freedom to move as hallmarks of what sitting your best actually means.
Stepping into Intuit’s Sydney workplace certainly doesn’t feel like walking into an office. Why? In this film, we discover that, when joy takes precedence as a design driver, even a high-performing commercial CBD headquarters can feel like an intuitive wonderland that invites employees to choose their own adventure.
In the first instalment of our three-part series exploring what it means to sit your best, we pose the question to Gray Puksand’s Dale O’Brien, who discusses the importance of ease and majority rule when it comes to sitting and reveals why specifying a task chair is not unlike choosing a Volvo.
In the last instalment of our three-part performance seating series, Alex Bain from Architectus explains why sitting well shouldn’t feel like sitting at all and explores an unexpected success metric of the hybrid workplace: the grounding power of emotional support.
Renowned for its unparalleled craftsmanship and revered design, Poliform has released its first-ever outdoor furniture collection. Tailored for the discerning needs of commercial and residential environments, the range promises to reshape luxury in the great outdoors.
Kenya Hara launches a collection of architectural structures for dogs designed by the likes of Kazuyo Sejima, Konstantin Grcic, and Toyo Ito
The internet never sleeps! Here's the stuff you might have missed
A recent gathering hosted by Wilkhahn brought designers together to discuss flexibility, technology and the changing role of the workplace.
Aeron Chair’s new shades, Nightfall and Jasper, arrive with a sense of quiet cohesion – no bells and whistles, no loud technicolour; just two timeless, perfectly versatile near-neutrals. But the new hues aren’t just about colour – and their significance is much more profound than their surface-level subtlety might suggest.