On a whirlwind visit to Sydney to promote his SAYL chair for Herman Miller, Yves Béhar speaks to Ola Bednarczuk about sustainability and the responsibilities of the modern designer.
February 24th, 2011
Yves Béhar paid a visit to Sydney as part of a promotional tour for his SAYL chair for Herman Miller. Indesignlive caught up with the designer to discuss his practice, philosophy and sustainable approach to design.
How does sustainability factor into your work?
I’m always out to prove an idea with a project – this notion that attainability and sustainability aren’t contrary ideas. People think that eco is more expensive, that green is more expensive, and I’m out to prove that it isn’t – that the 2 can be reconciled.
Sustainability is our opportunity to do things that are completely new, at a scale that is very large.
Are companies/the public receptive to the sustainable approach?
They’re receptive to it as an idea, but they never know how to go about it. This is why our role as designers is so critical, because we can show them the right steps and prove to the consumer that there is no sacrifice on their part; that it’s not more expensive; that it delivers a bigger experience; and we can prove to companies that it’s feasible.

I could never have convinced Puma to [adopt the Clever Little Bag – pictured] if it just meant putting a pretty bow around a box they already had. The only way they would change and accept to make such a radical internal change was if the project was compelling from a carbon footprint perspective.
It was one of those projects where you can change an entire logistic system and basically transform the way a company does something through sustainability.
Are designers equipped with sufficient knowledge to follow a sustainable approach?
Knowledge isn’t trying to match ISO 9002 where you have to check a few boxes and you’re there.
In every industry, with every material, with every type of process and size of production the solutions are going to be different, so your intentions and desires are what makes you equipped.
So if you’re willing to start to explore specifically how things can be solved, then you’re equipped, because you’re an explorer; you’re searching, you’re going to find solutions that nobody else has found before. And experience is the best way to solve these problems.

What does the future hold for sustainable design?
I believe that every process, every industrialised process, will need to be rethought in the next 20 years or so, and that means our opportunities as designers to participate at that scale is going to be amazing.
But – it has to be done well. People are not going to care until they have an experience that proves that it can be an enhancement, not something less.
That’s why part of what is so stimulating for me in design is that I can prove these ideas physically. What I can do is accelerate the adoption of these ideas by proving them to be correct, to be feasible, by translating ideas into action or into physical realities.
I think that’s what the world needs in the sense that people want proof; they want to experience ideas. Dogma is much harder to communicate to enterprise and the consumer.

Yves Béhar’s SAYL chair was designed for Herman Miller – visit their website for more information on the product and process behind its construction.
fuseproject
fuseproject.com
Herman Miller
hermanmiller.com.au
INDESIGN is on instagram
Follow @indesignlive
A searchable and comprehensive guide for specifying leading products and their suppliers
Keep up to date with the latest and greatest from our industry BFF's!
In the first instalment of our three-part series exploring what it means to sit your best, we pose the question to Gray Puksand’s Dale O’Brien, who discusses the importance of ease and majority rule when it comes to sitting and reveals why specifying a task chair is not unlike choosing a Volvo.
The newest brand to emerge from Cosentino’s creative crucible is Ēclos, a next-generation mineral surface that embodies the organic beauty and tactility of marble in a precision-mineral surface or material.
Blending versatile cooking with smart performance, Bosch AccentLine appliances bring a quieter sense of order and simplicity to the modern kitchen.
Stepping into Intuit’s Sydney workplace certainly doesn’t feel like walking into an office. Why? In this film, we discover that, when joy takes precedence as a design driver, even a high-performing commercial CBD headquarters can feel like an intuitive wonderland that invites employees to choose their own adventure.
Project management consultancy Merx shares know-how on corporate wellness and how this is shaping the spaces we work in. Paul Scroggie talks to Tamsin Bradshaw.
From Germany’s Dauphin comes Fiore – a range of chairs inspired by the smooth contours of a flower petal.
The internet never sleeps! Here's the stuff you might have missed
What exactly does a theatre consultant do, and why are they an important part of designing the spaces in which we tell the most dramatic stories? Charcoalblue’s Erin Shepherd tells us more.
CPD Live arrives next week, bringing together leading experts across design, accessibility, workplace wellbeing, innovation and the built environment. Attendees will hear practical insights, emerging ideas and real-world experiences from some of the industry’s most respected voices.