Brit Insurance Design Awards

January 20th, 2010

The 2010 Brit Insurance Design Awards have announced the nominees for the third edition of the annual awards.

Industry experts nominate the most compelling and progressive designs of the year across seven categories: architecture, fashion, furniture, graphics, interactive, product and transport.

Among the nominees for architecture are the MAD Architects ’Hutong Bubble 32’ in Beijing and the Melbourne Recital Centre and MTC Theatre Project by Ashton Raggatt McDougall (see images).

Representing Australia In the furniture category, Helen Kontouris’ ’Breathe Furniture’, an outdoor collection, and the geometic seating units ’Polytopia’ by Lucas Chirnside make notable appearances.

The shortlisted designs will be on show at the Brit Insurance Designs of the Year Exhibition at the Design Museum from 17 February until 6 June.

From this comprehensive list, the jury will select the seven category winners to be announced on 4 March.

The finalists will then find out who will win the overall Brit Insurance Design of the Year 2010 at the Awards Dinner on 16 March.

Brit Insurance Design Awards
designsoftheyear.com

All images from Melbourne Recital Centre and MTC Theatre Project by Ashton Raggatt McDougall

INDESIGN is on instagram

Follow @indesignlive

Dipped in integrity: The profound depth of Aeron Chair’s extended palette

Aeron Chair’s new shades, Nightfall and Jasper, arrive with a sense of quiet cohesion – no bells and whistles, no loud technicolour; just two timeless, perfectly versatile near-neutrals. But the new hues aren’t just about colour – and their significance is much more profound than their surface-level subtlety might suggest.

A new chapter of Herman Miller’s design continuum: Kim Colin and Sam Hecht named Global Creative Directors

After two decades of creative partnership, Kim Colin and Sam Hecht of Industrial Facility step into a joint role as Herman Miller’s Global Creative Directors – a reminder that the brand’s ethos isn’t defined solely by their products, but also by the quiet thread of thought that shapes the space in-between, crafting a purposeful, human-centric and enduring trajectory.