This Blairgowrie project takes the letterbox to a whole new level.
January 20th, 2009
Designed by architects, McBride Charles Ryan, this Blairgowrie residential project sits among the traditional beach houses of the Mornington Peninsula.
“It makes people smile, a building with the smallest façade on the peninsula – the building begins as the letterbox and unfurls to become this healthy scaled verandah, to some it is an upturned boat, to others its a wave, a cliff,” say Project Architects Rob McBride and Debbie-Lyn Ryan.
Using the house number, ‘7’, the letterbox-sized façade evolves into a two storey structure at the rear.
The building is clad on one side with stained timber decking, from the deck to the slanted walls, that creates an almost continuous, wave-like form.
Inside the four-bedroom home you move from the natural-coloured, yet geometric, exterior into a brightly modern space splashed with vibrant red, sharp white and commanding blacks.
In their design statement, as they have with the building, the architects evoke a sense of a relaxed detachment from the city life:
“The peninsula is the place where you suspend formality and convention for a while – we wanted the building to do this and to remind you of that – it moves too far from architectural convention towards the other disciplines – that was the intention.”
“It becomes ambiguous – What is it? Where is the front door? You don’t need a ‘front door’ in a holiday house – you just find your way in.”
Featured in the current issue of Architecture Review Australia, the letterbox house will undoubtedly attract some much-deserved attention as the year rolls on.
Photography by John Gollings
Principal Architects Robert McBride, Debbie-Lyn Ryan
Project team Adam Pustola, Meredith Dufour, Michael McManus, Angela Woda
Time to complete 12 months
Total Floor Area 290sqm






INDESIGN is on instagram
Follow @indesignlive
A searchable and comprehensive guide for specifying leading products and their suppliers
Keep up to date with the latest and greatest from our industry BFF's!
Stepping into Intuit’s Sydney workplace certainly doesn’t feel like walking into an office. Why? In this film, we discover that, when joy takes precedence as a design driver, even a high-performing commercial CBD headquarters can feel like an intuitive wonderland that invites employees to choose their own adventure.
In the last instalment of our three-part performance seating series, Alex Bain from Architectus explains why sitting well shouldn’t feel like sitting at all and explores an unexpected success metric of the hybrid workplace: the grounding power of emotional support.
The Geelong College’s Sport and Wellbeing Centre ‘Belerren’ designed by Wardle is designed around bringing in natural light. But Shade Factor’s job was to help modulate and precisely control it for the most important competitive moments.
In the second instalment of our performance seating three-parter, we turn to DKO’s Michael Drescher and Jacob Olsen to peek behind Sayl’s confident architectural form and explore the ideas of inclusivity, adaptability and freedom to move as hallmarks of what sitting your best actually means.
We speak to architect Carol Marra following recent events focusing on climate-resilient design.
The National Gallery of Victoria (NGV) has announced Nipa Doshi as the recipient of the 2025 MECCA x NGV Women in Design Commission.
Grounded by the rich warmth of American white oak, The Standard’s newly opened restaurant, Kaya, redefines the classic dining convention through a tasteful fusion of biophilic design, mid-century modern sensibility and elevated whimsy.
The internet never sleeps! Here's the stuff you might have missed
We round up the seven projects at Copenhagen’s 3daysofdesign that best reflected this year’s theme: Make This Moment Matter.
What exactly does a theatre consultant do, and why are they an important part of designing the spaces in which we tell the most dramatic stories? Charcoalblue’s Erin Shepherd tells us more.
Melbourne-based architect and object maker Adam Markowitz blurs the line between design and craft, bringing a deeply considered, material-led approach to his work. As both a practising architect and furniture designer, Markowitz explores how objects can respond to space, light and human use.