An iconic narrow site in Sydney’s CBD has become home to chef Jamie Oliver’s flagship Australian restaurant.
November 23rd, 2011
Formerly a live music venue, this narrow industrial space on Sydney’s Pitt Street has been transformed into the latest in Jamie Oliver’s ’Jamie’s Italian’ restaurant chain – the second venue outside of the UK.



The interior design team from peckvonhartel used the width of the space to their advantage, taking inspiration from laneway culture. Natural materials, earthy tiles and brightly coloured leathers feature alongside blackened steel and burnished coppers.



Much of the furniture was sourced from local salvage yards, giving the space an eclectic, mix-and-matched feel.

A pasta preparation station greets visitors on entry to the restaurant, with Oliver’s ubiquitous pasta machine on full display.
The adjacent bar features tiles sourced from around the world. A giant tiered chandelier, weighing 150kg and visible from the street, hangs overhead.



The kitchen design is in keeping with the Jamie’s Italian formula. A laneway dining area links the kitchen and bar, a fuchsia and sage green leather banquette providing a stark contrast to the accompanying timber tables.
On the mezzanine level is an antipasto bar allowing diners to watch chefs slice and prepare their food.


Photography: Ken Martin
Jamie’s Italian opened its doors on October 2011, with further venues set to open around Australia in the near future.
peckvonhartel
pvh.com.au
INDESIGN is on instagram
Follow @indesignlive
A searchable and comprehensive guide for specifying leading products and their suppliers
Keep up to date with the latest and greatest from our industry BFF's!
Aeron Chair’s new shades, Nightfall and Jasper, arrive with a sense of quiet cohesion – no bells and whistles, no loud technicolour; just two timeless, perfectly versatile near-neutrals. But the new hues aren’t just about colour – and their significance is much more profound than their surface-level subtlety might suggest.
In the second instalment of our performance seating three-parter, we turn to DKO’s Michael Drescher and Jacob Olsen to peek behind Sayl’s confident architectural form and explore the ideas of inclusivity, adaptability and freedom to move as hallmarks of what sitting your best actually means.
The newest brand to emerge from Cosentino’s creative crucible is Ēclos, a next-generation mineral surface that embodies the organic beauty and tactility of marble in a precision-mineral surface or material.
The Geelong College’s Sport and Wellbeing Centre ‘Belerren’ designed by Wardle is designed around bringing in natural light. But Shade Factor’s job was to help modulate and precisely control it for the most important competitive moments.
Mandi Keighran and Alice Blackwood spotted Italian studio Campeggi as a standout at Milan’s Salone Internazionale del Mobile.
Iken recently announced the winners of the 2008 Workstation of the Future design competition at Simmer on the Bay, Walsh Bay on 31 July. The design competition has raised some key ideas for what we would expect to see in future work environments.
The internet never sleeps! Here's the stuff you might have missed
The design community gathered at Zenith’s Sydney showroom to celebrate the 10th anniversary of the INDE.Awards and the official unveiling of the 2026 shortlist.