Melbourne law firm Hall & Wilcox briefed their architects to create a ‘happy’ workplace that would disrupt the industry norms.
December 4th, 2015
The winds of change are picking up in the law industry. Legal services is undergoing a major shift, disrupted from the comfort of traditional working models by clients looking for super efficient teams that can work in an agile and digitally enabled manner. Looking to cement their foothold within this rapidly changing landscape, Hall & Wilcox Lawyers have recently undertaken a workplace revamp that has not only put a new face on the firm, but shifted the mindset of its staff – towards what they see as a very happy work-life medium.
Engaging architectural firm Woods Bagot, Hall & Wilcox took the bull by the horns, so to speak, by relocating their Melbourne headquarters to the Rialto Tower. “From our perspective, flexibility is important,” says Hall & Wilcox CEO Sumith Perera. “We were looking to demonstrate to our clients that we are forward thinking, adopting great technology and being efficient in the way we do our work,” he says.
Material palette and colour schemes count for much in this fit-out which Simmonds describes as “Japanese-Scando” – lots of blonde woods and minty tones. And while mint is certainly a “fresh, fun and welcoming” tone, there was a strong purpose behind the use of this popular pastel. “Hall & Wilcox have strong branding which we referenced throughout the fit-out,” says Simmonds. “The logo and colours are quite appropriate for what we wanted to achieve.”
Read the full story in Issue 63 of Indesign, on sale December 23.
INDESIGN is on instagram
Follow @indesignlive
A searchable and comprehensive guide for specifying leading products and their suppliers
Keep up to date with the latest and greatest from our industry BFF's!
The newest brand to emerge from Cosentino’s creative crucible is Ēclos, a next-generation mineral surface that embodies the organic beauty and tactility of marble in a precision-mineral surface or material.
In the second instalment of our performance seating three-parter, we turn to DKO’s Michael Drescher and Jacob Olsen to peek behind Sayl’s confident architectural form and explore the ideas of inclusivity, adaptability and freedom to move as hallmarks of what sitting your best actually means.
In the last instalment of our three-part performance seating series, Alex Bain from Architectus explains why sitting well shouldn’t feel like sitting at all and explores an unexpected success metric of the hybrid workplace: the grounding power of emotional support.
Aeron Chair’s new shades, Nightfall and Jasper, arrive with a sense of quiet cohesion – no bells and whistles, no loud technicolour; just two timeless, perfectly versatile near-neutrals. But the new hues aren’t just about colour – and their significance is much more profound than their surface-level subtlety might suggest.
Italian craftsmanship is the focus at Streamline this year during Brisbane Indesign.
The internet never sleeps! Here's the stuff you might have missed
Billo Bold, by Adam Goodrum for NAU, amplifies the plush proportions of the popular Billo seating collection with lusciously draped and folded upholstery.
From landmark transport infrastructure and adaptive reuse to inventive housing and regional projects, the 2026 NSW Architecture Awards recognised the breadth of architecture shaping the state.