Denton Corker Marshall (DCM) was today revealed as the firm who will design the new Australian pavilion for the Venice Biennale.
April 3rd, 2012
The Australia Council of the Arts has announced that Denton Corker Marshall will design the new Australian pavilion for the Venice Biennale.
DCM’s credits include the Melbourne Museum, Museum of Sydney, Australian Embassies in Tokyo and Beijing, and the Stonehenge Visitor Centre in the UK.
The firm was unanimously selected from a shortlist of 6 Australian firms, with James Strong AO, Chair of the Australia Council, praising DCM for their “creative vision” and potential for “a truly exemplary building all Australians will be proud of.”
DCM’s design for the new pavilion seeks to “make a form of the utmost simplicity; a white box contained within a black box,” as stated in the submission.

“The pavilion is envisaged as an object rather than a building; a presence that is simultaneously powerful and discreet within the heavily wooded gardens.”
“Venice holds a special place in the arts and architecture worlds so it’s very exciting for us to win this project,” John Denton of DCM said today.
“I believe it will be a building that will proudly represent Australia and be recognised as a powerful, confident addition to the pavilions in the Giardini.”

Australia’s current pavilion has been on location since 1988. The Philip Cox-designed structure was initially meant to be temporary.
The new pavilion is due for completion in 2015, in time for the opening of the 56th International Art Exhibition.
See a fly-through of the new Australian Pavilion here.
Denton Corker Marshall
dentoncorkermarshall.com
INDESIGN is on instagram
Follow @indesignlive
A searchable and comprehensive guide for specifying leading products and their suppliers
Keep up to date with the latest and greatest from our industry BFF's!
When Italian furniture maker, Pedrali partnered with design studio, Formafantasma, the collaboration was always going to result in something both elevated and imbued with impeccable detail and flair.
The newest brand to emerge from Cosentino’s creative crucible is Ēclos, a next-generation mineral surface that embodies the organic beauty and tactility of marble in a precision-mineral surface or material.
As Woven Image celebrates 40 years, it introduces a new collection developed in collaboration with Australian artist Ben Goss, inspired by his original artwork Where the Kookaburra Sits into a vibrant collection of digitally printed EchoPanel® murals and patterns.
Aeron Chair’s new shades, Nightfall and Jasper, arrive with a sense of quiet cohesion – no bells and whistles, no loud technicolour; just two timeless, perfectly versatile near-neutrals. But the new hues aren’t just about colour – and their significance is much more profound than their surface-level subtlety might suggest.
The Works with WELL Directory’s launch is an industry-gamechanger, exclusively featuring products proven to meet International WELL Building Institute (IWBI) eligibility requirements, like those from Milliken.
You are invited to look through the design lens at the forces driving the Asia Pacific – human, economic, climatic and strategic. What are the conditions that will shape creative practice, business and society for tomorrow? What is the role of design in responding to these forces?
Bringing together Unlimited’s international speakers, the Symposium will present a set of compelling viewpoints on how creative thinking can shape a positive future for the Asia Pacific region.
The internet never sleeps! Here's the stuff you might have missed
From an overnight concert beneath the Royal Exhibition Building’s dome to light works along the Birrarung and a full-scale takeover of Melbourne Town Hall, Now or Never returns with a program that treats the city itself as a stage.
Ahead of Saturday Indesign, six architects and interior designers consider the assumptions that continue to shape homes, apartments and neighbourhoods – and the conversations the industry could be having more often.