Futurespace and SCA Design help Cisco Systems get agile
While commissioning designers and architects to design a space is often a collaboration with the client, it is not often that the client themselves are the experts.
Cisco Systems, a company that has made its name as the worldwide leader in networking for the Internet, commissioned Sydney-based design studio Futurespace and Singapore-based studio SCA Design to fit out its workplace in Sydney in accordance with its global design standards of the ‘Cisco Connected Workplace’.
The ‘Cisco Connected Workplace’ is a solution framework that offers the foundation for companies to deliver innovative workplace services to employees and guests. Reflective of the ever-popular agile work environment, the ethos envisions staff using a variety of spaces that fit the job they are doing at any given time. For this office in particular, the brief entailed integrating two individual offices into one campus to enhance collaboration and socialisation between employees.
SCA Design headed up the project, taking on the role of head design team while Futurespace took charge of the documentation and scheduling phase including tendering and construction. As the Futurespace team are Sydney-based, they were also in charge of coordinating the services team, compliance with Building Codes of Australia and site coordination.
The resulting office unfolds over five levels, greeting employees with bright and impactful, graphic interiors. The workspace is split into different areas that are designed to address a variety of tasks. From dedicated workstations to audio privacy rooms, and community walls to nap rooms, the employees at Cisco Systems are offered a number of options to choose how and where they work. A booking system called ‘Cisco Maps’ and clear way finding allows staff to schedule meeting and workspaces – as well as to locate their colleagues.
While the majority of the design was led by SCA Design, Futurespace gave its input by facilitating local themes, which allowed for a more Australian aesthetic. One of the E-Cafes – which are situated on every floor – features a floor-to-ceiling beach image alongside a fake-grass covered floor illustrating the indoor-outdoor lifestyle that Sydneysiders revel in.
A searchable and comprehensive guide for specifying leading products and their suppliers
Keep up to date with the latest and greatest from our industry BFF's!
Living Edge definitely has the edge when it comes to supplying furniture for the education sector. With a plethora of brands and collections at their fingertips, Living Edge provides the perfect solution for any learning environment.
The workplace has changed – and it will continue to evolve. With dynamism at the heart of clients’ requirements, architects and designers at leading practices such as Elenberg Fraser are using and recommending Herman Miller’s OE1 products for the future workplace.
GH Commercial is now the exclusive flooring and carpet partner of the Melbourne International Comedy Festival 2023 – and two x double passes are up for grabs.
Above Left and Carpets Inter are firm believers in sustainability at every level of production. The Flatlands collection has now been expanded to encompass stunning new colours which express and protect the beauty of our natural environments.
The internet never sleeps! Here's the stuff you might have missed
A new Reconciliation Garden at the University of Queensland’s (UQ) Herston campus showcases the power of collaborative design. The project saw a partnership between Arcadia, Multhana Property Services and representatives of Traditional Owners of the land.
“My worry is that when we talk about ESG, we’re often referring to the need to better care for the planet, for outdoor environments. But what about the indoors?” In this exclusive Q&A with UNStudio’s Ben van Berkel, he puts a new lens on ESG, and talks about designing STH BNK By Beulah with Cox.
There’s no time like the present to finalise your submission for the 2023 INDE.Awards. Take this opportunity to enter the INDEs and make your design voice heard.
The idea that the only way is forward isn’t new but it feels particularly current when it comes to the evolution of the commercial workplace. Here, Bradhly Le takes stock of the significant transformation this typography has been going through – and points to adaptable design as one of the essential vehicles for this dynamic shift.