A recent Sydney design competition asked for a unique combination of infrastructure and a commercial tower. Enter 33 Bligh Street. Yelena Smetannikov reports.
April 28th, 2011
Situated in the Sydney CBD, the concept for 33 Bligh St is the first commercial building to have an electricity substation taking up the first several storeys of the tower, making the lobby area above ground level.
Stephen Varady, Senior Design Architect of KannFinch, seamlessly blended the two distinct forms together in his design, intertwining them with public space to provide views of the CBD at different heights.
“I wanted a composition that would allow these two distinct forms to come together using one rich architectural language,” Varady says.
The substation is surrounded by heritage buildings, and has to be sensitive to its neighbouring facades. The design of the podium takes its inspiration from architectural features of adjacent buildings, as well as the simplified yet powerful forms of the Russian Constructivists, Varady notes.
Above the podium is a sky lobby which separates the substation from the 25 000sq m tower. Varady’s intentions are for the general public to be able to access this space, which will contain a café, meeting and function rooms, as well as indoor and outdoor seating areas.
The tower itself will be a dynamic glass sculpture, as numerous levels are pushed and pulled to create openings in the façade. These openings will serve as workspaces or breakout areas.
The different levels of the building will cater to its users as well as the public. The podium’s exterior will contain a café to bring new life to the street edge.
Plazas on the tower’s first floor and roof level, as well as extruded balcony spaces throughout the building, all aim to provide space for social encounters between workers and visitors.
KannFinch
kannfinch.com.au
A searchable and comprehensive guide for specifying leading products and their suppliers
Keep up to date with the latest and greatest from our industry BFF's!
Explore the radical new organisation strategy which accommodates for the hybrid future of work.
Living Edge definitely has the edge when it comes to supplying furniture for the education sector. With a plethora of brands and collections at their fingertips, Living Edge provides the perfect solution for any learning environment.
Local Sydney artist, Derryn Tal has been awarded a prestigious international award in Italy.
Made of high tech ceramics, the RADO True L Jubilé glows with a uniquely polished black finish. It has 14 diamonds on the dial. This watch combines classic design and supreme elegance. Dimensions: Small (without date) and Large Applications: Hypoallergenic Variations: Jubile versions Finish: Polished ceramic
The internet never sleeps! Here's the stuff you might have missed
The idea behind ubiquitous inclusivity is undoubtedly an appealing one, which is why universal and accessible design principles have been gaining so much traction in recent years. Here, two renowned design experts weigh in on utilising these principles to create accessible bathrooms – and share the design thinking underpinning the process.
The workplace has changed – and it will continue to evolve. With dynamism at the heart of clients’ requirements, architects and designers at leading practices such as Elenberg Fraser are using and recommending Herman Miller’s OE1 products for the future workplace.