Specialising in high quality designer furniture and accessories, SeehoSu has travelled throughout Asia, Europe and Australia to discover and engage with a new generation in contemporary design.
October 8th, 2013
Representing a select portfolio of brands hailing from Japan, China and more, SeehoSu’s collection of furniture and accessories is defined by an original, inspired and contemporary design aesthetic.

Based out of Sydney, SeehoSu is headed up by Director Joyce Seeho, whose keen appreciation for quality and refined detailing has seen her forge strong relationships with leading brands including Japanese furniture producer Maruni, Chinese design studio Neri & Hu, the much-loved porcelain-ware brand Mud Australia, and Canadian design house, molo.
Every brand within the SeehoSu collection represents an authentic and resolved design aesthetic, every product carrying a story of creativity and craftsmanship unique to its function and form.

SeehoSu’s close and enduring relationship with these brands comes down to an appreciation for products that “I like and I would use, or buy for myself,” says Director Joyce Seeho.
“Both the brand and its designs need to have a strong story and purpose. Maruni, Neri & Hu, Mud Australia and molo really exemplify this: they all have a beautiful story behind them as well as being innovators in their respective fields,” says Joyce.

“Each brand is quite brave in producing designs and products that are not solely focused on being at the height of fashion, instead they are long lasting and have the potential to become collectible items and future classics.
“Through many research trips I’ve had the privilege of meeting some seriously talented designers – across industrial, interiors and architecture.”

Renowned designers Naoto Fukasawa and Jasper Morrison have been pivotal in the ongoing success of the Maruni brand, while Neri & Hu’s two principals, Lyndon Neri and Rosanna Hu, have pioneered modern design and architecture in China.
Stephanie Forsyth, co-director of molo, is yet another visionary who transforms space using molo’s inspired range of products.

Closer to home, the Australian architecture and design community which has been active in embracing SeehoSu’s brands and products for local residential and commercial projects.
“I am hugely grateful to our local supporters – their excellent taste and honest feedback has been indispensable in the curating and perfecting the SeehoSu range.”
View products from SeehoSu online here, or in-store at Studio SeehoSu in Surry Hills. Stay tuned for regular updates via the SeehoSu media channels.
SeehoSu
INDESIGN is on instagram
Follow @indesignlive
A searchable and comprehensive guide for specifying leading products and their suppliers
Keep up to date with the latest and greatest from our industry BFF's!
As Woven Image celebrates 40 years, it introduces a new collection developed in collaboration with Australian artist Ben Goss, inspired by his original artwork Where the Kookaburra Sits into a vibrant collection of digitally printed EchoPanel® murals and patterns.
In the first instalment of our three-part series exploring what it means to sit your best, we pose the question to Gray Puksand’s Dale O’Brien, who discusses the importance of ease and majority rule when it comes to sitting and reveals why specifying a task chair is not unlike choosing a Volvo.
The Geelong College’s Sport and Wellbeing Centre ‘Belerren’ designed by Wardle is designed around bringing in natural light. But Shade Factor’s job was to help modulate and precisely control it for the most important competitive moments.
Tanya dinning chair and low back stool. Environmentally friendly australian design. Manufactured using reconstituted veneer with a water based finish. Stackable with a bright chrome frame. Dimensions: 560l x 515w x 790h 450 seat height Applications: Indoor hospitality and commercial Variations: Choose from variety of veneers Finish: Various stains available
InterfaceFLOR draw upon a global resource bank of ideas to drive new design directions
The internet never sleeps! Here's the stuff you might have missed
As Saturday Indesign prepares to return to Sydney this September, architects, designers and exhibitors reflect on what has kept the event relevant for more than two decades.
Davenport Campbell’s Neill Johanson argues that, in a hybrid era, the office is no longer justified by attendance alone.