Leffler Naturally Leather distributes the world’s most famous brands in contract, domestic and transportation leather.
November 21st, 2008
Their major tannery, Andrew Muirhead Fine Scottish Leather, is the oldest upholstery leather tannery in the world. Lefflerís diverse and abundant product range covers over 8,000 different lines and is ideal for discerning architects and designers. Since the foundation of the company in 1932, Leffler products have been manufactured under stringent standards, including a fire and smoke toxicity rating that meets safety standards for Boeing and Airbus aircraft. Leffler is a founding member of the Commercial Leather Association of Australia and New Zealand which was established to develop exacting standards for commercial and high-end residential upholstery leather.
Product Range
Carpets and rugs, flooring, leather and textiles.
Major Brands
Andrew Muirhead Fine Scottish Leather, Connolly Leather UK, Vermani Pelli patchwork cow hide rugs, Royale Leather floor and wall tiles, Vermani Leather wall and floor tiles, Eku Leather wall panelling system.
Application
Commercial, hospitality,
transportation and residential.
Sustainability
Andrew Muirhead Leather is EMS 66433 UK approved.
Major Projects
Qantas Airlines, Australia wide; Virgin Blue Airlines, Australia wide; Singapore Airlines offices, Vic; Bank of Scotland, NSW; ANZ Boardroom, Vic; Spirit of Tasmania.
Specialised Services
The company provides a bespoke colour matching service for all leathers, floor and wall tiles. The patchwork cowhide rug collection is available to order in any size and colour combination.
Lead Time
Upholstery leather over 130 colours ex stock in Melbourne. Bespoke ranges are made to order. Leather floor and wall tiles are made to order ñ 6 weeks for standard colours, 12 weeks for bespoke colours.
![]()
![]()
![]()
INDESIGN is on instagram
Follow @indesignlive
A searchable and comprehensive guide for specifying leading products and their suppliers
Keep up to date with the latest and greatest from our industry BFF's!
The newest brand to emerge from Cosentino’s creative crucible is Ēclos, a next-generation mineral surface that embodies the organic beauty and tactility of marble in a precision-mineral surface or material.
In the first instalment of our three-part series exploring what it means to sit your best, we pose the question to Gray Puksand’s Dale O’Brien, who discusses the importance of ease and majority rule when it comes to sitting and reveals why specifying a task chair is not unlike choosing a Volvo.
The Geelong College’s Sport and Wellbeing Centre ‘Belerren’ designed by Wardle is designed around bringing in natural light. But Shade Factor’s job was to help modulate and precisely control it for the most important competitive moments.
Aeron Chair’s new shades, Nightfall and Jasper, arrive with a sense of quiet cohesion – no bells and whistles, no loud technicolour; just two timeless, perfectly versatile near-neutrals. But the new hues aren’t just about colour – and their significance is much more profound than their surface-level subtlety might suggest.
Expressions of interest are now being invited for the role of Creative Director for the Australian Institute of Architect’s 2014 National Architecture Conference to be held in Sydney. Responsible for the conceptualisation of theme and content of the 2014 Conference, the inventive and enthusiastic Creative Director/s could be an individual, a practice, a school of […]
BVN’s redesign of this heritage site has created a new city campus in Brisbane featuring a varied range of functional spaces and long-term flexibility.
Andrea is Indesign’s New Zealand correspondent, inspired by the creative people she meets and the places she visits. What you do: I write about people, architecture, art and design. I collaborate with New Zealand architecture photographer Simon Devitt. Where you live: Point Chevalier, a harbour-side suburb close to Auckland City, New Zealand. Favourite designer/design: […]
The internet never sleeps! Here's the stuff you might have missed
Phaidon’s ‘Atlas of Never Built Architecture’ is a thought-provoking romp through the counter-factual architectural imaginary on a global scale.
Aeron Chair’s new shades, Nightfall and Jasper, arrive with a sense of quiet cohesion – no bells and whistles, no loud technicolour; just two timeless, perfectly versatile near-neutrals. But the new hues aren’t just about colour – and their significance is much more profound than their surface-level subtlety might suggest.