We’ve noticed Orgatec 2016 is a little light and playful – here are just 3 products sure to lighten the mood in the office.
BuzziJungle by by Jonas Van Put
Have your next meeting in a jungle gym, why don’t you. Belgian designer Jonas Van Put’s take on the conference room takes millennial workspace concepts of ‘no boundaries’ and ‘the social office’ to the next level. Inspired by nature, and the jungle presumably, elements within the structure are intended to provide opportunities for different interactions within the jungle. Climb, lounge and meet in an elevated work-lounge space made from powder coated steel. Probably not going to make an appearance in any legal settings or chambers any time soon, but will surely be a welcome addition in creative sectors.
BuzziSpace is available in Asia Pacific via Zenith Interiors.
Tom Dixon’s First Collection of Office Furniture
The wonderful world of Dixon continues to expand. The British design kingpin has unveiled his first ever series of office furniture at this year’s Orgatec. The branch into the office for Dixon seems natural enough as boundaries between workplace and home continue to blur, and also follows on from the co working space he installed in a church at Clerkenwell in May. Within the collection is the Broom desk lamp and Slab School workstation, which has been based on archetypal Victorian school desks. The pieces are highly functional – but have been brushed with the signature, slick Dixon aesthetic, making each piece a pretty stylish upgrade from the typical sterile beige office cubical.
Tom Dixon is available in Asia Pacific via Dedece.
Pedrali’s Ironic Office
We’re struggling to see the irony here, but Pedrali’s presentation was not lacking in any sense of fun (don’t you think?). Set against a rich Wes Anderson-style colour palette, new pieces presented included ‘Snooze’, a sound absorbing panel by Marcello Ziliani. The pop bright, graphic panels are available in various colours and fabrics so that can easily be matched with any colour scheme – paneling is no longer only functional, but actually a little fun.
Pedrali is available in Asia Pacific via Products for People.
INDESIGN is on instagram
Follow @indesignlive
A searchable and comprehensive guide for specifying leading products and their suppliers
Keep up to date with the latest and greatest from our industry BFF's!
In the last instalment of our three-part performance seating series, Alex Bain from Architectus explains why sitting well shouldn’t feel like sitting at all and explores an unexpected success metric of the hybrid workplace: the grounding power of emotional support.
As Woven Image celebrates 40 years, it introduces a new collection developed in collaboration with Australian artist Ben Goss, inspired by his original artwork Where the Kookaburra Sits into a vibrant collection of digitally printed EchoPanel® murals and patterns.
Aeron Chair’s new shades, Nightfall and Jasper, arrive with a sense of quiet cohesion – no bells and whistles, no loud technicolour; just two timeless, perfectly versatile near-neutrals. But the new hues aren’t just about colour – and their significance is much more profound than their surface-level subtlety might suggest.
When Italian furniture maker, Pedrali partnered with design studio, Formafantasma, the collaboration was always going to result in something both elevated and imbued with impeccable detail and flair.
In this edition of The Edit, we take a closer look at Pedrali’s presence at the 64th Salone del Mobile.Milano, from the exhibition architecture to the new launches unveiled within it.
The internet never sleeps! Here's the stuff you might have missed
Sonali and Manit Rastogi are a powerhouse couple. Partners in life and work, they create architecture for people and place that truly makes a difference, while shaping a sustainable design pathway for the future.
Presented by Autex Acoustics
Aeron Chair’s new shades, Nightfall and Jasper, arrive with a sense of quiet cohesion – no bells and whistles, no loud technicolour; just two timeless, perfectly versatile near-neutrals. But the new hues aren’t just about colour – and their significance is much more profound than their surface-level subtlety might suggest.