For everything from the boundary-pushing to the market ready, the 32nd Fringe Furniture exhibition is calling for entries.
June 12th, 2018
Melbourne Fringe invites designers of all backgrounds, both local and international, to enter the Fringe Furniture 32 exhibition.
Fringe Furniture is now in its 32nd year and has been a long-running platform for artists and designers to exhibit their work.
The exhibition will take place in the historic Abbotsford Convent throughout the larger Fringe Festival program running from 13-30 September.
The exhibition is open to everyone regardless of previous experience, fresh designers along with those more established are welcome to participate. Fringe Furniture is open to all types of furniture, lighting, industrial design, homeware jewellery and genre-defying non-functional objects.
2017 Emerging Designer Award winner Nancy Ji shares her experience, “Fringe Furniture is a great way to show your work no matter what stage you’re at in your design career,” says Nancy. “I enjoyed sharing my ideas at the artist talk where I had the opportunity to discuss my work with the community.”
In addition, Fringe Furniture is making a stand for something it believes in and this year the entry price for female-identifying designers will be reduced by 15.3 per cent, which is the gender pay gap in Australia. This subsidised registration is made possible to the Naomi Milgrom Foundation.
The 2018 awards are:
• The Tait Award for Design Innovation presented by Tait
• The Banyule Design for a Circular Economy Award presented by Banyule City Council
• The Craftsmanship Award presented by Handsome & Co.
• The Rakumba Award for Lighting Innovation presented by Rakumba
• The Emerging Designer Award presented by Craft
• The Best Student Design presented by Tongue and Groove
• The Production Ready Award presented by Like Butter
• The Games We Play Award presented by the Abbotsford Convent
Entries for Fringe Furniture 32 are open until Monday 2 July. Find out more about the program here.
For another furniture design program worth keeping an eye on, take a look at Launch Pad Australia.
–
For more updates about the design community, sign up for our newsletter.
INDESIGN is on instagram
Follow @indesignlive
A searchable and comprehensive guide for specifying leading products and their suppliers
Keep up to date with the latest and greatest from our industry BFF's!
In the last instalment of our three-part performance seating series, Alex Bain from Architectus explains why sitting well shouldn’t feel like sitting at all and explores an unexpected success metric of the hybrid workplace: the grounding power of emotional support.
In the second instalment of our performance seating three-parter, we turn to DKO’s Michael Drescher and Jacob Olsen to peek behind Sayl’s confident architectural form and explore the ideas of inclusivity, adaptability and freedom to move as hallmarks of what sitting your best actually means.
The Geelong College’s Sport and Wellbeing Centre ‘Belerren’ designed by Wardle is designed around bringing in natural light. But Shade Factor’s job was to help modulate and precisely control it for the most important competitive moments.
Natural stone shapes the interiors of Billyard Avenue, a luxury apartment development in Sydney’s Elizabeth Bay designed by architecture and design practice SJB. Here, a curated selection of stone from Anterior XL sets the backdrop for the project’s material language.
Twenty years after its founding, Muuto used 3daysofdesign to look beyond the idea of novelty and towards a more reflective future for Scandinavian design.
Founded by Richard Munao in 2017, NAU’s presentation at 3daysofdesign builds on decades of groundwork by Cult and marks a confident moment for Australian design overseas.
The internet never sleeps! Here's the stuff you might have missed
We round up the seven projects at Copenhagen’s 3daysofdesign that best reflected this year’s theme: Make This Moment Matter.
Davenport Campbell’s Neill Johanson argues that, in a hybrid era, the office is no longer justified by attendance alone.
Melbourne-based architect and object maker Adam Markowitz blurs the line between design and craft, bringing a deeply considered, material-led approach to his work. As both a practising architect and furniture designer, Markowitz explores how objects can respond to space, light and human use.