The Australian design community’s leading industry magazine re-launches with a new look and a new editorial vision
October 16th, 2012
“In these challenging times for the design profession, how can we get more creative in managing our business, in creating added value for our clients and in forging the most effective communications with our suppliers?” – Alice Blackwood, Editor, DQ magazine
Indesign Publishing Group is pleased to announce the re-launch of long-standing design industry publication, Design Quarterly (DQ) magazine.

With a loyal and long-standing readership of architects, designers, specifiers, and design retailers and suppliers across Australia and abroad, DQ takes audiences behind the scenes of the Australian architecture and design community, capturing its activities and achievements and reflecting the opinions and views of key members of industry.

In October 2012, Indesign Group launches DQ in a newly re-mastered format of slimmer, sleeker proportions, under a re-invigorated editorial vision that sees the magazine venture deeper into the design community to bring readers more business and brand-related news, more analysis and opinion, more discussion and trade talk, and more from the movers and shakers in Australian design and architecture.

Expanding on the new look format and re-focused editorial content, DQ Editor, Alice Blackwood, says: “DQ has always aimed to be responsive to the needs and interests of our readers and the market; we have always adapted quickly and flexibly to that constantly changing design environment.
“This major refocus explores the gamut of creativity to include not just the end products, but also how the design profession manages its relationships with clients and suppliers,” she says.
“At every point we consider how we, as a growing design profession, can get more creative in managing our business, and forging the most effective communications with our clients and suppliers.”

The renewed editorial focus will see the magazine feature:
The DQ DESIGNPRENEUR series, encompassing quarterly columns from Byron George of Russell & George as well as behind-the-brand insights into some of the industry’s best-known brands.
Complementing this is the DQ SOURCE section, bringing readers analyses on digital business practices insight into Australian design start-ups and coverage of new industry partnerships between suppliers and brands.

Media Kit and Advertising Enquiries:
Editorial and Submission Enquiries:
Media and Partnership Enquiries:
DQ MAGAZINE
INDESIGN is on instagram
Follow @indesignlive
A searchable and comprehensive guide for specifying leading products and their suppliers
Keep up to date with the latest and greatest from our industry BFF's!
The difference between music and noise is partly how we feel when we hear it. Similarly, the way people respond to an indoor space is based on sensory qualities such as colour, texture, shapes, scents and sound.
Herman Miller’s reintroduction of the Eames Moulded Plastic Dining Chair balances environmental responsibility with an enduring commitment to continuous material innovation.
In a tightly held heritage pocket of Woollahra, a reworked Neo-Georgian house reveals the power of restraint. Designed by Tobias Partners, this compact home demonstrates how a reduced material palette, thoughtful appliance selection and enduring craftsmanship can create a space designed for generations to come.
Natural stone shapes the interiors of Billyard Avenue, a luxury apartment development in Sydney’s Elizabeth Bay designed by architecture and design practice SJB. Here, a curated selection of stone from Anterior XL sets the backdrop for the project’s material language.
Earthy orchards and elemental processes form the design genesis of Aesop’s store at ION Orchard in Singapore.
The 8 finalists in this year’s Tiger Translate Global Showcase have been announced.
The internet never sleeps! Here's the stuff you might have missed
A global partnership between Tongue & Groove, Established & Sons and Raw Edges signals a shift in how flooring is designed, produced and positioned within interiors.
Woods Bagot has completed the refurbishment of its Sydney studio, delivering a purpose-built creative environment designed to reflect a collaborative culture and signature design thinking.
Maruni does not rely on signature gestures or visual statements with its elegant timber furniture, but rather reveals itself slowly, through proportion, appreciation for design and a continuity between traditional craftsmanship and contemporary expression.