The Design Institute of Australia (DIA) presents Motion + Emotion, a multidisciplinary exhibition showcasing the work of 13 emerging Victorian designers, who are both leaders in the field and recent graduates.
July 20th, 2011
Motion + Emotion follows last year’s highly successful Light + Shade exhibition. It’s an annual event where recent design graduates, emerging designers and industry leaders challenge themselves and showcase their talents without the constraints of commercial realities.
This year’s design brief was to explore the convergence of existing objects and re-interpret them to deepen our understanding of motion and movement. The designers have realised this through a variety of mediums – sculptural, graphic, multi-media and working model.
“We wanted to create an unrestricting environment where professional designers could freely utilise their skills and experience,” says DIA Victoria Councillor, Dominic Russo.
“Expect out of the ordinary interpretations that challenge the common paradigms of both Motion + Emotion.”
One such example is Emotion Machine, a collaboration between Edward Linacre, Marisa Taylor, Alice Hobday and Joshua Batty. In this experimental and interactive audio-visual project, music is powered by human energy, its tempo changing according to the user’s heart rate.

“In life, everything is connected,” Edward Linacre explains.
“The Emotion Machine renders these connections both visible and audible in order to experience them directly.”
Other exhibitors at Motion + Emotion include Christina Fogale, Lauren Hepner, Robert Puksand, Sue Coles, ilan.el, Ross Gardam, Margaret Fulton and Marcia Liew, Julie Newton, Colleen Morris, David Walley and Jaime Calero.
Motion + Emotion is on display at Melbourne’s Royal Exhibition Building as part of the State of Design Festival, from Thurday 21 – Sunday 24 July.
DIA Victoria
design.org.au/vic
INDESIGN is on instagram
Follow @indesignlive
A searchable and comprehensive guide for specifying leading products and their suppliers
Keep up to date with the latest and greatest from our industry BFF's!
Merging two hotel identities in one landmark development, Hotel Indigo and Holiday Inn Little Collins capture the spirit of Melbourne through Buchan’s narrative-driven design – elevated by GROHE’s signature craftsmanship.
In an industry where design intent is often diluted by value management and procurement pressures, Klaro Industrial Design positions manufacturing as a creative ally – allowing commercial interior designers to deliver unique pieces aligned to the project’s original vision.
In a tightly held heritage pocket of Woollahra, a reworked Neo-Georgian house reveals the power of restraint. Designed by Tobias Partners, this compact home demonstrates how a reduced material palette, thoughtful appliance selection and enduring craftsmanship can create a space designed for generations to come.
At the Munarra Centre for Regional Excellence on Yorta Yorta Country in Victoria, ARM Architecture and Milliken use PrintWorks™ technology to translate First Nations narratives into a layered, community-led floorscape.
Britain’s ‘GREAT’ campaign has some of their best attributes proudly on display. In 2013 Indesign is exploring what makes the land of hope and glory, so… well, GREAT.
December may herald the return of Art Basel for those in art circles, but the design affiliated are far more interested in the re-appearance of its sister event of Design Miami/.
The internet never sleeps! Here's the stuff you might have missed
As Roberto Palomba visits Australia, Space Furniture unveils a 450-square-metre apartment installation that positions Kartell not as a collection of objects, but as a complete way of living.
Hammond Studio has completed its own workplace in Sydney, placing great emphasis on collaborative technology, light and of course high-quality detailing.