Industrial designers showcase their metallic material at Gaffa Gallery in Sydney
November 17th, 2009
Gaffa Gallery follows up 2007’s ‘Interpretations’ exhibition curated by Andrew Simpson of Vert Design, with a new series of works in the Surry Hills space.
Glass took centre stage at the first edition, but this year ‘Interpretations II’ forges a focus on sheet metal, asking five industrial designers to interpret the material.
‘Garden Party’ by Bernabeifreeman evades the notion of metal as a “harsh serious material” with an abstract “digital interpretation” of flowers, using aluminium punched with 1200 holes to create a metal lace effect.
Simpson’s take was centred on the geometric, with a heavy-duty truncated octahedron armchair, which can be turned over to offer two seating positions – reclined and upright.
Geometry is key to the intricate shapes exhibited by Phillippa Carnenolla, who combined her interest in origami and spirituality to conceive surprising “meditative pieces for such a secular material”, using chemically etched folded metal.
Trent Jensen’s ‘Bollard’ plays with the destruction of the material, using controlled rust decoratively to “counteract the negative association we have with the ageing of the material”.
‘Barbeque 1 and 2’ by Oliver Smith showcased his renowned metalwork skills with an aesthetic approach to an industrial staple.
“The diversity and ingenuity of the ‘Interpretation’ designers has really impressed me and I see that the exhibition is more proof that through necessity Australian designers have become skilled in all aspects of the design process,” says Simpson.
‘Interpretations II’, until 24 November at the Gaffa Gallery, 1/7 Randle Street, Surry Hills.
INDESIGN is on instagram
Follow @indesignlive
A searchable and comprehensive guide for specifying leading products and their suppliers
Keep up to date with the latest and greatest from our industry BFF's!
In the second instalment of our performance seating three-parter, we turn to DKO’s Michael Drescher and Jacob Olsen to peek behind Sayl’s confident architectural form and explore the ideas of inclusivity, adaptability and freedom to move as hallmarks of what sitting your best actually means.
Blending versatile cooking with smart performance, Bosch AccentLine appliances bring a quieter sense of order and simplicity to the modern kitchen.
The newest brand to emerge from Cosentino’s creative crucible is Ēclos, a next-generation mineral surface that embodies the organic beauty and tactility of marble in a precision-mineral surface or material.
Stepping into Intuit’s Sydney workplace certainly doesn’t feel like walking into an office. Why? In this film, we discover that, when joy takes precedence as a design driver, even a high-performing commercial CBD headquarters can feel like an intuitive wonderland that invites employees to choose their own adventure.
Queensland is gearing up for one of the biggest events of the year as Brisbane Indesign draws closer.
Acrylic Couture® is acrylic glass – in a completely new light: Intoxicating effects through extravagant inlays and artistic colour combinations.
The internet never sleeps! Here's the stuff you might have missed
Curator, writer and educator Kate Goodwin was in town for Melbourne Design Week. Here, she reflects on how light-touch organising and designer-led spaces created some of the most impactful, distinctive exhibitions.
A recent Design Talk Series event presented by Royal Oak Floors saw Melbourne-based interior designer, and founder and principal of Mim Design, Miriam Fanning in live conversation with our editor.
Designed by Billard Leece Partnership, the Wattle Building brings expanded clinical services together with a more legible, family-centred experience of hospital care.
The Geelong College’s Sport and Wellbeing Centre ‘Belerren’ designed by Wardle is designed around bringing in natural light. But Shade Factor’s job was to help modulate and precisely control it for the most important competitive moments.