Cuisine and the Arts, Owen Lynch looks at how this cultural convergence embodies the spirit of a people, reflects their traditions and defines their identity
July 27th, 2012
A mouth-watering new exhibition curated by Spaniard Martin Azúa explores the place of design in our diets, in the context of the changing face of Spanish cuisine.
Opening this week in Canberra, Australia, a collaboration with the Spanish Embassy, ’Foodjects: Design and the new cuisine in Spain’ explores the modern approach to practices steeped in tradition.

Where culturally the methods of food preparation have dictated the process of creating meals, Azúa dissects the evolution of cooking and consumption and the tools that have also changed face or adapted in the process.
“Eating has been made a sensorial and intellectual experience in which the sense of humour and surprise play a major role. Designers and chefs have tackled this innovation from a variety of standpoints ” Says Azua.
With his own designs included in the collections of MoMA, New York, and his products in use daily around the world, Azúa highlights the work of contemporaries like Jaime Hayon as having the radical mentality and intense sense of narrative that exemplify the themes of the exhibition.
Their reverse-thinking has driven the development of accessories and accoutrements that play into how we use and interact with our food and beverage, from a tool that serves to serve, it becomes the experience of use that compliments the consumption.

Fiddly thinking? Perhaps. Nevertheless, the diversity in the items curated (over 100) readily illustrates that practicality and efficiency goes hand-in-hand with the success of boundary pushing design.
’Foodjects: Design and the new cuisine in Spain’ is an exclusive presentation in cooperation with the Spanish Embassy at Craft ACT.
CRAFT ACT
Craft ACT: Craft and Design Centre is supported by the ACT Government and the Australia Council for the Arts, the Federal Government’s arts funding and advisory body
INDESIGN is on instagram
Follow @indesignlive
A searchable and comprehensive guide for specifying leading products and their suppliers
Keep up to date with the latest and greatest from our industry BFF's!
Stepping into Intuit’s Sydney workplace certainly doesn’t feel like walking into an office. Why? In this film, we discover that, when joy takes precedence as a design driver, even a high-performing commercial CBD headquarters can feel like an intuitive wonderland that invites employees to choose their own adventure.
In the first instalment of our three-part series exploring what it means to sit your best, we pose the question to Gray Puksand’s Dale O’Brien, who discusses the importance of ease and majority rule when it comes to sitting and reveals why specifying a task chair is not unlike choosing a Volvo.
The newest brand to emerge from Cosentino’s creative crucible is Ēclos, a next-generation mineral surface that embodies the organic beauty and tactility of marble in a precision-mineral surface or material.
In the last instalment of our three-part performance seating series, Alex Bain from Architectus explains why sitting well shouldn’t feel like sitting at all and explores an unexpected success metric of the hybrid workplace: the grounding power of emotional support.
Striking the balance between luxury and liveability is a challenge for any designer, home-owner, builder or developer. In fact, it’s what most people aim for – getting the most out of resources so that a product delivers satisfaction, both in a visual and economic sense.
As the co-working market continues to change shape, adapting to suit the evolving needs of hybrid work, Australia’s hair and beauty industry has sashayed onto the scene, at Salon Lane.
The internet never sleeps! Here's the stuff you might have missed
Designed by JPE Design Studio with Warren and Mahoney and cultural creative designer Karl Winda Telfer, Adelaide Aquatic Centre — Kauwingka — recasts civic leisure as landscape, gathering place and cultural story.
FK hosted a standout Melbourne Design Week event with a panel on adaptive reuse and renewable real estate at 500 Bourke, featuring previous contributor Nicky Drobis and our editor as moderator.