Founder of the red dot awards, Professor Dr. Peter Zec, comments on design, the economy and the international awards programme.
December 16th, 2008
The founder of the internationally recognised red dot design awards, Professor Dr. Peter Zec has said he believes that the way out of the Global Financial Crisis is through quality design.
Explaining that entries to the ‘red dot award: product design’ have dropped by two percent, he added “It is, however, interesting to note that the number of participating companies has increased by approximately 16 per cent.” Zec puts this down to a growing investment by companies in good design.
“The design affinity of the individual industries is higher than ever before,” Zec said. “From a technological point of view we have made top achievements in recent years. Now the task is to separate the wheat from the chaff and this is where design quality comes into play.”
This sentiment is echoed by the DIA’s national president, Joanne Cys, who last month told indesignlive.com: “Often the greater the restraints, the more creative and innovative the outcome,” she said. “In times of economic downturn, people often return to study to further their education. This will naturally result in new developments in design.”
Zec points to international awards such as red dot as a way for companies to test their designs and attract further attention. “For those companies that take advantage of the red dot design award and face a tough international comparison it will also be easier to find suitable investors,” he said.
Noting that consumers trust quality, well designed products, Zec believes that companies who invest in these things will ultimately survive the downturn.
red-dot.de
INDESIGN is on instagram
Follow @indesignlive
A searchable and comprehensive guide for specifying leading products and their suppliers
Keep up to date with the latest and greatest from our industry BFF's!
In the last instalment of our three-part performance seating series, Alex Bain from Architectus explains why sitting well shouldn’t feel like sitting at all and explores an unexpected success metric of the hybrid workplace: the grounding power of emotional support.
In the second instalment of our performance seating three-parter, we turn to DKO’s Michael Drescher and Jacob Olsen to peek behind Sayl’s confident architectural form and explore the ideas of inclusivity, adaptability and freedom to move as hallmarks of what sitting your best actually means.
Refreshing Asian expressions can be found at the new Wanchai2 in Hong Kong writes Jessica Niles DeHoff.
The internet never sleeps! Here's the stuff you might have missed
Inside La Marzocco Sydney, Open Creative Studio has turned a Botany warehouse into a flexible showroom, training space and events venue — one that understands coffee culture as both technical craft and social ritual.
As build-to-rent gains ground in Australia, HOME Parramatta asks what architecture can offer beyond supply: stability, shared amenity and a less provisional model of rental living.
In Brisbane, Foolscap Studio continues a longstanding relationship with the coffeemakers at a new cafe-store featuring calm tones and coffee waste materials.
In the last instalment of our three-part performance seating series, Alex Bain from Architectus explains why sitting well shouldn’t feel like sitting at all and explores an unexpected success metric of the hybrid workplace: the grounding power of emotional support.