Vo Trong Nghia Architects finds an innovative way to bring greenery back to the concrete jungle that is Ho Chi Minh City.
October 30th, 2014
Ho Chi Minh City, Vietnam is known for its traffic congestion and air pollution, with only 0.25 per cent of the city covered with greenery.
With House for Trees, Vo Trong Nghia Architects has designed a low-budget, prototypical house in an effort to address this situation; the aim of the project is to bring green space back into the city by accommodating nature in high-density dwelling.
Five concrete box-like buildings are designed as ‘pots’ with trees at their tops. With a thick soil layer, these pots also function as storm-water basins; when multiplied to a large number of houses in the future, the idea is that this type of housing will help to reduce the risk of flooding in the city.
The house is located in Tan Binh district, one of the most densely populated residential areas in Ho Chi Minh City. The site is a remnant landlocked block within this suburb, accessed only by a small pedestrian lane. Resonating with this urban tissue, the house is designed as an accumulation of ‘small fragments’ and, surrounded by typical Vietnamese row houses on all sides, it stands out like an oasis.
Fitting into the informal shape of the site, the five boxes are positioned to create a central courtyard and small gardens in between. The boxes open to this central courtyard with expansive glass doors and operable windows to enhance natural lighting and ventilation, while remain relatively closed on the other sides for privacy and security.
Common spaces such as the dining room and library are located on the ground floor. Upper floors accommodate bedrooms and bathrooms, which are connected through bridge-cum-eaves made of steel. The courtyard and gardens, shaded by trees above, become part of the ground floor living space and blur the boundary between the indoors and outdoors.
Local and natural materials have been used to reduce cost and carbon footprint. The external walls are made of in-situ concrete with bamboo formwork, while locally-sourced bricks are exposed on the internal walls as finishing. A ventilated cavity separates the concrete and brick walls to protect the interior space from heat transfer.
Vo Trong Nghia Architects
votrongnghia.com
INDESIGN is on instagram
Follow @indesignlive
A searchable and comprehensive guide for specifying leading products and their suppliers
Keep up to date with the latest and greatest from our industry BFF's!
In the first instalment of our three-part series exploring what it means to sit your best, we pose the question to Gray Puksand’s Dale O’Brien, who discusses the importance of ease and majority rule when it comes to sitting and reveals why specifying a task chair is not unlike choosing a Volvo.
The newest brand to emerge from Cosentino’s creative crucible is Ēclos, a next-generation mineral surface that embodies the organic beauty and tactility of marble in a precision-mineral surface or material.
In the last instalment of our three-part performance seating series, Alex Bain from Architectus explains why sitting well shouldn’t feel like sitting at all and explores an unexpected success metric of the hybrid workplace: the grounding power of emotional support.
Stepping into Intuit’s Sydney workplace certainly doesn’t feel like walking into an office. Why? In this film, we discover that, when joy takes precedence as a design driver, even a high-performing commercial CBD headquarters can feel like an intuitive wonderland that invites employees to choose their own adventure.
The Vietnamese architect discusses insatiable construction markets and dwindling urban ecologies. For the latter, he recommends bamboo; for the former, meditation.
A trip to the cinema in Ho Chi Minh City, is not just a matter of viewing the latest blockbuster these days but there is also the chance to enjoy the cinema itself – through a design that takes colour to another level entirely.
The internet never sleeps! Here's the stuff you might have missed
For Mutual Trust’s Adelaide workplace, Woods Bagot drew on the idea of a stately family home to create an interior shaped by legacy and ease.
Powerhouse Parramatta has commissioned more than 50 leading designers from across Australia to shape the spaces and experiences of the new museum, including public, exhibition, restaurant and retail spaces.