Defined by a distinctiveness and clarity of form is the Graph chair from Wilkhahn – a conference chair which epitomises flexible comfort and evokes a new kind of workplace chair
September 4th, 2013
Graph is a swivelling conference chair that comes with a four-star base, die-cast aluminium or chrome armrests, a metal seat and back frame, and two backrest heights. All the components that bring an office chair together, right?

Markus Jehs and Jürgen Laub
Yet Graph is one-of-a-kind in its concept and design: its development has engendered a new design and engineering approach which progressively re-interprets the classical values of a conference chair.
Industrial designers Markus Jehs and Jürgen Laub, who conceived the Graph for Wilkhahn, describe the conference chair as being the “perfect balance between aesthetics and engineering.”

The graphical quality of its shape is the first eye-catcher, with its organic seat shell which has been cut through horizontally and vertically, then modified and re-assembled. The result is a fluid yet streamlined form that offers superlative comfort.
Likening Graph to a Porsche 911’s unique combination of form and function, Laub says, “There’s the feeling when you sit in it, the haptics and the smell of fine leather – we were able to achieve this in Graph too.”

“In this respect, Graph can really be compared with a stylish car. After all, in conference rooms it’s about comfort and a feeling of assurance, but also about status and self-confidence,” says Jehs.
The horizontally, vertically cut seat shell eliminates the need for a crossover point between seat and back. This form also changes the structure, so the armrests become the central connecting nodes. It’s an open frame approach, which not only allows seat and backrest to be connected in, but creates a modular structure that make future models easy to create.

Expert engineering created a seamless appearance with concealed force- and form-fit connectors, and surfaces carefully treated in a natural or bright chromium-plated finish.
“In Graph’s case, we were always able to find a solution that provided a perfect balance between aesthetics and engineering,” says Jehs and Laub. “In the end the result is exactly what we dreamt at the beginning.”

Wilkhahn
wilkhahn.com
INDESIGN is on instagram
Follow @indesignlive
A searchable and comprehensive guide for specifying leading products and their suppliers
Keep up to date with the latest and greatest from our industry BFF's!
At 3daysofdesign 2026, AHEC’s immersive exhibition traced the journey of American hardwood from forest to finished product.
As Woven Image celebrates 40 years, it introduces a new collection developed in collaboration with Australian artist Ben Goss, inspired by his original artwork Where the Kookaburra Sits into a vibrant collection of digitally printed EchoPanel® murals and patterns.
Developed by bangdesign for Stylecraft, Kinn is an Australian-made collection of seating and occasional tables, shaped by modest proportions, practical detail and the changing demands of shared interiors.
In the second instalment of our performance seating three-parter, we turn to DKO’s Michael Drescher and Jacob Olsen to peek behind Sayl’s confident architectural form and explore the ideas of inclusivity, adaptability and freedom to move as hallmarks of what sitting your best actually means.
The internet never sleeps! Here's the stuff you might have missed
From landmark transport infrastructure and adaptive reuse to inventive housing and regional projects, the 2026 NSW Architecture Awards recognised the breadth of architecture shaping the state.
The Richards Stanisich duo will be in conversation with our Editor at Royal Oak Floors’ Sydney showroom on Thursday 23rd July, 2026.
Late night rethinks, endless material testing and prototyping, half-finished or abandoned projects – the work behind-the-scenes work is often where ideas come undone. Elton Group’s Think Good Micro-Grant – a $5,000 annual fund now open for applications – exists to back this kind of unseen effort.