Welcome to the first edition of The Indesign Edit. In this issue, we focus on commercial projects and feature three of the best that workplace design has to offer.
May 18th, 2020
The Indesign Edit offers a series of free, downloadable and design-led resources curated by the Indesign editorial team, which take on a unique perspective on a variety of projects and genres, presenting the very best products of our industry today.
Welcome to the first edition of The Indesign Edit. In this issue, we focus on commercial projects and feature three of the best that workplace has to offer. Explore the first Indesign Edit: Workplace below.
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True luxury strikes a balance between glamorous aesthetics and tactile pleasure, creating spaces rich in sensory delights to enhance the experience of daily life.
Herman Miller’s reintroduction of the Eames Moulded Plastic Dining Chair balances environmental responsibility with an enduring commitment to continuous material innovation.
Blending versatile cooking with smart performance, Bosch AccentLine appliances bring a quieter sense of order and simplicity to the modern kitchen.
In an industry where design intent is often diluted by value management and procurement pressures, Klaro Industrial Design positions manufacturing as a creative ally – allowing commercial interior designers to deliver unique pieces aligned to the project’s original vision.
A selection of anticipated highlights to whet the appetite as Milan Design Week 2026 gets ready for kick-off in April.
In this SpeakingOut! Interview, Peter Titmuss from BVN explores the complexities of adaptive reuse through the transformation of Sirius, unpacking how legacy, sustainability and contemporary living can coexist within one of Sydney’s most debated residential buildings.
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Taking inspiration from nature, the design of St Francis Xavier College Berwick GPFLA by Bellemo & Cat provides an educational environment that enables best practice in learning and teaching.
Designed by FK alongside One Design Office, 1 Hotel & Homes Melbourne at Seafarers is part of Riverlee’s long-game regeneration of North Wharf and finds its footing in reuse, restraint and a refusal to start from scratch.