Indesign and DQ hosted a soirée at Milan’s NooN cocktail bar and restaurant on Wednesday 18 April. At the halfway point of the world’s biggest design fair, the evening was a chance for design industry folk to relax, mingle, chat about what they’d seen so far – and prepare for another two days of festivities ahead.
April 20th, 2012
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In the second instalment of our performance seating three-parter, we turn to DKO’s Michael Drescher and Jacob Olsen to peek behind Sayl’s confident architectural form and explore the ideas of inclusivity, adaptability and freedom to move as hallmarks of what sitting your best actually means.
The difference between music and noise is partly how we feel when we hear it. Similarly, the way people respond to an indoor space is based on sensory qualities such as colour, texture, shapes, scents and sound.
Natural stone shapes the interiors of Billyard Avenue, a luxury apartment development in Sydney’s Elizabeth Bay designed by architecture and design practice SJB. Here, a curated selection of stone from Anterior XL sets the backdrop for the project’s material language.
Stepping into Intuit’s Sydney workplace certainly doesn’t feel like walking into an office. Why? In this film, we discover that, when joy takes precedence as a design driver, even a high-performing commercial CBD headquarters can feel like an intuitive wonderland that invites employees to choose their own adventure.
Billard Leece Partnership leads the design of the Queensland Cancer Centre, a revolutionary healthcare facility symbolising innovation, sustainability and community well-being.
With the new editions, Louis Poulsen smartly caters to the increasingly varied range of aesthetics found in today’s homes and commercial spaces.
Davenport Campbell’s Neill Johanson shares insights from WORKTECH25 and the impact of AI on the workplace experience.
The idea that the only way is forward isn’t new but it feels particularly current when it comes to the evolution of the commercial workplace. Here, Bradhly Le takes stock of the significant transformation this typography has been going through – and points to adaptable design as one of the essential vehicles for this dynamic shift.
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Joanne Odisho has been named the 2026 Australian Furniture Design Award winner for Mod-u, a modular lighting system made from eggshell composites and bio-filament.
Entries are now officially open for Architecture & Design’s 2026 Sustainability Awards, Australia’s leading program recognising excellence in sustainable architecture, design, and construction.