May 27th, 2011














































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Aeron Chair’s new shades, Nightfall and Jasper, arrive with a sense of quiet cohesion – no bells and whistles, no loud technicolour; just two timeless, perfectly versatile near-neutrals. But the new hues aren’t just about colour – and their significance is much more profound than their surface-level subtlety might suggest.
In the last instalment of our three-part performance seating series, Alex Bain from Architectus explains why sitting well shouldn’t feel like sitting at all and explores an unexpected success metric of the hybrid workplace: the grounding power of emotional support.
The Geelong College’s Sport and Wellbeing Centre ‘Belerren’ designed by Wardle is designed around bringing in natural light. But Shade Factor’s job was to help modulate and precisely control it for the most important competitive moments.
In the first instalment of our three-part series exploring what it means to sit your best, we pose the question to Gray Puksand’s Dale O’Brien, who discusses the importance of ease and majority rule when it comes to sitting and reveals why specifying a task chair is not unlike choosing a Volvo.
One of Sydney’s favourite inner-west suburbs opens up its post-industrial doors to GolfSpace – not only the finest golfing experience in Australia, but the very first indoor golf club of this kind in the Southern Hemisphere.
Australian company Issey Sun Shade Systems originated in Perth in the late 1980’s and has showrooms in Sydney, Melbourne, Brisbane and Adelaide.
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For centuries, stone and timber together have been used to translate architectural ideas into tangible spaces and places. There is a soul-level response to their sensory qualities, one that translates into an immersive feeling of connection and belonging.