Displaying pieces by students from industrial design and fine arts programmes, ECAL’s More Rules for Modern Life exhibition plays with the flimsy distinctions between objets d’art and practical objects.
Swiss artschool ECAL (École Cantonale d’Art de Lausanne) keeps popping up in our Milan radar these past few years. Last year it made it to our list of most intriguing exhibitions in Milan with When objects Dream exhibition, which considered the future of objects by imagining what they would dream of.
This year the school has returned with a slew of exhibitions around the city, and one of them plays with the flimsy distinction between objets d’art and practical objects.
Displayed in Spazio Orso 16 until this Sunday, More Rules for Modern Life showcases side-by-side pieces by bachelor students from industrial design and fine arts programmes. The exhibition is curated by Switzerland’s curator and jack-of-all-arts John M Armleder. After they revisited some of Armleder’s works (including his famous Furniture Sculpture) the students developed the pieces for a full semester under the watchful eye of designer and professor Christophe Guberan and Stéphane Kropf, artist and Head of ECAL’s Bachelor Fine Arts programme.
The exhibits include a rocking zebra, a handless clock, a minimal painting with maximalist details, concrete marble and a menhir made from recycled plastic – all piled up in, as ECAL describes it, “a visual cacophony that is happily deliberate”.
To quote the delightful little essay It’s Only Furniture by Parker Williams that accompany the exhibition: “Somehow, whatever you do, whatever you show, it is something you might stumble on. Sometimes, you get cultural and then again it’s furniture”.
A searchable and comprehensive guide for specifying leading products and their suppliers
Keep up to date with the latest and greatest from our industry BFF's!
Marylou Cafaro’s first trendjournal sparked a powerful, decades-long movement in joinery designs and finishes which eventually saw Australian design develop its independence and characteristic style. Now, polytec offers all-new insights into the future of Australian design.
In the pursuit of an uplifting synergy between the inner world and the surrounding environment, internationally acclaimed Interior Architect and Designer Lorena Gaxiola transform the vibration of the auspicious number ‘8’ into mesmerising artistry alongside the Feltex design team, brought to you by GH Commercial.
The Sub-Zero Wolf showrooms in Sydney and Melbourne provide a creative experience unlike any other. Now showcasing all-new product ranges, the showrooms present a unique perspective on the future of kitchens, homes and lifestyles.
Sub-Zero and Wolf’s prestigious Kitchen Design Contest (KDC) has celebrated the very best in kitchen innovation and aesthetics for three decades now. Recognising premier kitchen design professionals from around the globe, the KDC facilitates innovation, style and functionality that pushes boundaries.
Join us as we cycle around the world’s ‘Most Liveable’ city with Richard Weinman of Warren and Mahoney and Herman Miller X Rapha!
Abey Australia never fail to impress with their beautiful European-inspired tapware, shower and accessory design.
The internet never sleeps! Here's the stuff you might have missed
Elevate your experience with Saturday Indesign’s VIP Studio Bus Tours.
Found within the verdant landscape of Jubilee Hills, Hyderabad, Sona Reddy’s design for this authentic Andhra restaurant adeptly fuses textural rhythms with traditional materials.
We spoke with Jeffrey Wilkes of WILKESDESIGN about the John Portman-designed building, which has been infused with touches of local culture and colour.
When iconic brands wield their influence, the ripples extend far beyond aesthetics. And so when the MillerKnoll collective formed, the very concept of design shifted, supercharging the industry’s aspiration to create a better world into an unwavering sense of responsibility to do so.