Good Design Australia has launched the new Good Design Awards (formerly the Australian International Design Awards) and is calling for innovative entries from Australia and around the world to the 2014 program.
Good Design Australia has launched the new Good Design Awards (formerly the Australian International Design Awards) and is calling for innovative entries from Australia and around the world to the 2014 program.
March 18th, 2014
Under the new banner of the Good Design Awards, Good Design Australia has also partnered with VIVID Sydney to host the annual Good Design Festival – an event dedicated to focussing the world’s attention on Australia as a leading international design destination.
Building on a heritage of more than 50 years, the Good Design Awards is regarded as one of the world’s most coveted awards in the field of design and innovation.
The 2014 Good Design Awards is now calling for entries from Australian and international businesses across 15 broad categories. The Awards cover the broadest spectrum of design accolades offered in the world – from the latest cars, cutting-edge medical equipment, furniture, heavy engineering and mining equipment, to sports gear and everyday products such as toasters, televisions and kitchen utensils. The Good Design Awards also includes rapidly expanding areas such as service design and design strategy, as well as products in the digital space.
The Good Design Awards remains at the forefront of recognising and promoting design excellence. In 2012, the program was one of the first design award programs in the world to develop a stand-alone category for Service Design, a rapidly expanding area where design thinking is now playing a key role in driving innovation and competitive advantage among business.
CEO of Good Design Australia, Dr. Brandon Gien and President of the International Council of Societies of Industrial Design – the world organisation for industrial design – believes Australia is now firmlypositioned to truly leverage design and design thinking to help businesses grow and remain internationally competitive.
“In a crowded marketplace, good design gives companies their competitive edge. It separates the extraordinary from the ordinary, excellence from mediocrity and the brilliant from the boring,” Dr. Gien said.
“For more than five decades, the Good Design Awards program has promoted the very best in innovation and creativity on local turf and the global stage. From a credible, trusted independent platform, we aim to showcase superior examples of good design across a range of industries,” he said.
“Good Design Australia is committed to building a greater appreciation of the role of professional design and creative thinking in product development and service delivery for business and consumers. At the end of the day, this is about good design for better products, better services and ultimately a better world,” Dr. Gien concluded.
Each year, Good Design Australia invites renowned local and international design experts to judge entries for the Awards. This year’s Judging Panel is made up of leaders in the fields of industrial design, engineering, architecture, software and electronics design, service design, design strategy and communications design.
“We select each judge based on their area of expertise and ability to bring an individual perspective in the search for the very best in good design,” said Dr. Gien.
Applying one of the most rigorous evaluation processes in the world, the judges closely inspect all entries and critique each one according to strict design evaluation criteria that includes: Form, Function, Safety, Sustainability, Quality, Commerciality and Innovation.
Submissions to the 2014 Good Design Awards close on 31 March 2014, with winners announced on Thursday 29 May 2014 at the Good Design Awards Gala Night in Sydney.
Entry starts from $360 + GST.
More information: www.good-design.org
INDESIGN is on instagram
Follow @indesignlive
A searchable and comprehensive guide for specifying leading products and their suppliers
Keep up to date with the latest and greatest from our industry BFF's!
In the second instalment of our performance seating three-parter, we turn to DKO’s Michael Drescher and Jacob Olsen to peek behind Sayl’s confident architectural form and explore the ideas of inclusivity, adaptability and freedom to move as hallmarks of what sitting your best actually means.
The Geelong College’s Sport and Wellbeing Centre ‘Belerren’ designed by Wardle is designed around bringing in natural light. But Shade Factor’s job was to help modulate and precisely control it for the most important competitive moments.
In the last instalment of our three-part performance seating series, Alex Bain from Architectus explains why sitting well shouldn’t feel like sitting at all and explores an unexpected success metric of the hybrid workplace: the grounding power of emotional support.
Stepping into Intuit’s Sydney workplace certainly doesn’t feel like walking into an office. Why? In this film, we discover that, when joy takes precedence as a design driver, even a high-performing commercial CBD headquarters can feel like an intuitive wonderland that invites employees to choose their own adventure.
Sydney architecture studio Tzannes is launching its new website. What began as an exercise in arranging a portfolio of award-winning work has evolved into a profound process of self-reflection as the practice readies itself for a multigenerational future.
The internet never sleeps! Here's the stuff you might have missed
Joanne Odisho has been named the 2026 Australian Furniture Design Award winner for Mod-u, a modular lighting system made from eggshell composites and bio-filament.
M Moser Associates has reimagined DuPont’s Shanghai R&D Centre as a network of connected neighbourhoods, using local references and workplace strategy to support collaboration, flexibility and future growth.
In this interview, Michael Leeton reflects on his philosophy of placemaking, connection to landscape and the importance of designing homes that balance intimacy with scale, using his award-winning project House on a Hill as a central reference point.