Words of wisdom from last year’s Launch Pad finalist.
February 18th, 2010
Well-known for his percussion role in successful band Van She, Tomek Archer is making a name for himself in a whole new field.
Trained in architecture before pursuing his passion for music in electropop band Van She, Archer is one of Australia’s emerging design talents, who wowed the judges at Launch Pad 2009 with his original stool ‘Peg Leg’.
When asked what drew Archer to the Launch Pad competition, he matter-of-factly responded that “the promise of fame and fortune” drew him in.
“Why else would you make anything speculatively,” said Archer.
Whilst fame and fortune was the beacon of light for the furniture designer, the connections that came from the programme have ensured that he has outlived his 15 minutes.
“The Launch Pad mentoring programme confirmed my belief that this project was worth investing more money in. Another less worthy piece didn’t make the cut so I left it at that.”
“I was approached by several respectable manufacturers, which shows the value of Launch Pad, however because I had resolved production in order to make the prototype, I saw little point in handing the project over.
“So in this case I suspect the exposure helped realise the sales that were required to kick start production.”
Does Archer have any advice for young designers with a prototype?
“You made it so you might as well show someone and talk about it. You need to find out early on if it’s worth pushing this one or if your time would be better spent on a new piece.”
PegLeg is now in production through Tomahawk Studios and is available through Anibou in Sydney and Melbourne and Thonet in NZ.
Tomahawk Studios
tomahawkstudios.com.au
The Launch Pad Program is proudly sponsored by Living Edge – supporting emerging Australian design.



INDESIGN is on instagram
Follow @indesignlive
A searchable and comprehensive guide for specifying leading products and their suppliers
Keep up to date with the latest and greatest from our industry BFF's!
In the last instalment of our three-part performance seating series, Alex Bain from Architectus explains why sitting well shouldn’t feel like sitting at all and explores an unexpected success metric of the hybrid workplace: the grounding power of emotional support.
The newest brand to emerge from Cosentino’s creative crucible is Ēclos, a next-generation mineral surface that embodies the organic beauty and tactility of marble in a precision-mineral surface or material.
Aeron Chair’s new shades, Nightfall and Jasper, arrive with a sense of quiet cohesion – no bells and whistles, no loud technicolour; just two timeless, perfectly versatile near-neutrals. But the new hues aren’t just about colour – and their significance is much more profound than their surface-level subtlety might suggest.
The Geelong College’s Sport and Wellbeing Centre ‘Belerren’ designed by Wardle is designed around bringing in natural light. But Shade Factor’s job was to help modulate and precisely control it for the most important competitive moments.
The final day of CPD Live’s 2025 season delivers three must-attend sessions exploring circular design for furniture and fitouts, and the science behind safe, high-quality drinking water. Starting from 9 AM AEDT, 16th October – it’s your last opportunity this year to join our Live CPD sessions and finish 2025 inspired.
Italian company Poliform has set a benchmark for design excellence, experience and technological expertise.
With architecture by Renzo Piano, interiors by Daniel Goldberg and Chris Darling and developed by Lendlease, no expense has been spared on the multi-residential towers of One Sydney Harbour.
On Thursday 17 November Karen McCartney launched her latest book ’70/80/90 Iconic Australian Houses’ in the Great Dane Melbourne showroom. Hosted by Peter Maddison of Grand Designs, guests enjoyed delicious cocktails and canapés, as Karen spoke about Australian architecture and design and signed copies of her book.
The internet never sleeps! Here's the stuff you might have missed
The Art Gallery of New South Wales has reopened the Brett Whiteley Studio in Sydney’s Surry Hills following a major renovation by TZG that upgrades the building while preserving the character of the artist’s former home and workplace.