The Burcham in Rosebery is a planned luxury residential development that’s equal parts challenging convention, and recalling the past.
November 20th, 2015
Serving as a redevelopment of Rosebery’s 1918 Wrigley’s Gum factory, The Burcham has a cutting edge environmental design courtesy of architects Allen Jack+Cottier and the Stable Group, and is named in honour of the original 1918 factory’s architect, John Burcham Clamp.
Solving the always-complex puzzle of developing a heritage-listed building sees the design ultimately retaining part of its existing structure, and joining with two new residential buildings to stand as a Chicago-esque architectural statement with a strong industrial design aesthetic.
Featuring one, two and three bedroom apartments, Allen Jack+Cottier has created a design with a foot in both worlds of the past and the future, featuring crafted detailing throughout the space, with touches of old world sophistication melded with the latest environmentally sustainable thinking.
Within the heritage building, modern finishes are fused with original features, creating a distinctive design for relaxed modern living. Industrial influenced interiors have The Burcham existing as a series of large living spaces, with kitchen, dining and lounge rooms seamlessly blended.
In terms of modern sustainable design, The Burcham is quite remarkable, with efficient LED lighting used throughout and each apartment featuring Smart Meter technology. Furthermore, Photovaltic Solar System will in fact generate clean electricity for the base building and up to 50 percent of the average apartment’s hot water needs in a year.
The landscaped communal space, created by Jami Durie and Durie Design will serve as heart of The Burcham for residents. A place to chill, do yoga, garden or take advantage of the communal compost area, the ‘Wriggly Commons’ will feature manicured greens and a sculptural terrace with timber boardwalks and a communal edible garden
Construction of The Burcham is due to begin in December, with mid 2017 flag posted as a hopeful opening date.
The Burcham
theburcham.com.au
INDESIGN is on instagram
Follow @indesignlive
A searchable and comprehensive guide for specifying leading products and their suppliers
Keep up to date with the latest and greatest from our industry BFF's!
Aeron Chair’s new shades, Nightfall and Jasper, arrive with a sense of quiet cohesion – no bells and whistles, no loud technicolour; just two timeless, perfectly versatile near-neutrals. But the new hues aren’t just about colour – and their significance is much more profound than their surface-level subtlety might suggest.
At 3daysofdesign 2026, AHEC’s immersive exhibition traced the journey of American hardwood from forest to finished product.
The newest brand to emerge from Cosentino’s creative crucible is Ēclos, a next-generation mineral surface that embodies the organic beauty and tactility of marble in a precision-mineral surface or material.
As Woven Image celebrates 40 years, it introduces a new collection developed in collaboration with Australian artist Ben Goss, inspired by his original artwork Where the Kookaburra Sits into a vibrant collection of digitally printed EchoPanel® murals and patterns.
Systems Supply was established in 1993 with a vision to cover a niche market within the architectural and design community, customising workstation fit-outs within a rapid 4 to 6 weeks turnaround.
Planex partner with local designers to provide custom end-user solutions that create a more flexible and productive environment for your workplace.
The internet never sleeps! Here's the stuff you might have missed
After two decades of creative partnership, Kim Colin and Sam Hecht of Industrial Facility step into a joint role as Herman Miller’s Global Creative Directors – a reminder that the brand’s ethos isn’t defined solely by their products, but also by the quiet thread of thought that shapes the space in-between, crafting a purposeful, human-centric and enduring trajectory.
Aeron Chair’s new shades, Nightfall and Jasper, arrive with a sense of quiet cohesion – no bells and whistles, no loud technicolour; just two timeless, perfectly versatile near-neutrals. But the new hues aren’t just about colour – and their significance is much more profound than their surface-level subtlety might suggest.