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What exactly does a theatre consultant do, and why are they an important part of designing the spaces in which we tell the most dramatic stories? Charcoalblue’s Erin Shepherd tells us more.
Curator, writer and educator Kate Goodwin was in town for Melbourne Design Week. Here, she reflects on how light-touch organising and designer-led spaces created some of the most impactful, distinctive exhibitions.
What insights, impressions and inspirations does a student of architecture gain from travel? Khushi Chevli, based in Sydney, recently travelled around India, so we asked her to share the experience with us.
Kerstin Thompson of KTA and Neometro Director Lochlan Sinclair discuss density, character and the inner city during a recent gathering in St Kilda East.
As 2026 gathers pace, Davenport Campbell Principal Neill Johanson argues that the people-place-process nexus in workplace design just won’t cut it any longer.
Following the World Architecture Festival (WAF) towards the end of 2025, Plus Studio Director Michael McShanag reflects on high-rise living from Miami to the Gold Coast.
The built environment is all around us; would the average citizen feel less alienated if the education system engaged more explicitly with it?
Neill Johanson, Principal at Davenport Campbell, comments on what we might be losing and gaining with the expansion of remote work.
David Gole, principal at leading climate-resilient design practice JDA Co., comments on the intersection between heritage and climate in architecture.
Having recently attended the Symposium as the Murcutt Pin-holder, Sydney-based architect Jamileh Jahangiri reflects on the importance of the gathering.
At the World Design Congress in London, a simple idea threaded through two dense days: design is not an island. It moves inside wider systems of economics, policy, finance and ecology.
In this comment piece, COX Principal David Holm reflects on Carlo Ratti’s curatorship in which climate, colonisation and gender equity took centre stage at the Venice Biennale.
