Is multidisciplinary practice for everyone? In a seminar at 100% Design Singapore 2013, Ong Ker-Shing shared insights into Lekker Design’s diverse project portfolio. Afterwards, Narelle Yabuka spoke to her about industry shifts, changing client priorities, and the growing need for diversity.
September 18th, 2013
Top image: Ong Ker-Shing, pictured here with husband and business partner Joshua Comaroff
An enormous breadth of project types fills the portfolio of Lekker Design – from a landscape master plan for Singapore’s Mediapolis (with Bernard Tschumi and CPG Consultants), to houses, book authorship, shop scenography, and a fleeting pop-up ‘secret garden’ for a one-night Hermès event.
Mediapolis
In a seminar titled ‘The Edge of Architecture’, Lekker co-director Ong Ker-Shing led her audience at 100% Design Singapore on a tour through a range of the studio’s diverse projects and shared insights into the growth of a multidisciplinary approach to practice.
Belmont House
Ong and her husband/business partner Joshua Comaroff met at Harvard where they obtained master’s degrees in architecture and landscape architecture. Explains Ong, “Halfway through our architecture degrees, we decided to do landscape as well. We found that really helped us as architects to think a little more experientially about our work, rather than getting caught up in conceptual ideas and being purely formalist.”
“Our happy place is right in the middle,” she says, referencing projects such as the Belmont House, for which Lekker undertook the design of the landscape as well as the architecture. “When we get to do both, we get to produce a better, stronger total environment.”
Artist’s home and studio
She continues, “And we’ve been lucky with our landscape capability; people give you far bigger projects than they would if you were solely an architect.” Lekker is currently working on designs for the landscape at Yale-NUS College, some large parks for Singapore’s National Parks Board, a childcare centre, and two small houses.
Hermes window display
Hermes window display
But it is what Lekker calls ‘special projects’ that have been keeping the eight-person studio particularly busy of late. “A lot of the work we’ve been doing recently is temporary construction,” says Ong. “This portion of our practice has really grown. We enjoy it and our office is becoming known for it.”
Hermes window display
Temporary installations for arts events and window displays for Hermès have not only provided a steady stream of projects; they’ve also been invaluably refreshing for Ong and Comaroff. “Having the chance to completely switch scales and figure out how to put together shuttlecocks, for example [for a Hermès window display], is a wonderful relief from drawing abstract lines all day. It’s like exercise for the brain. We find it’s really healthy for us as a practice.”
Hermes Secret Garden
So was this multidisciplinary approach to practice designed, a necessity, or a bit of both? “It started out designed, but it’s really become a necessity,” says Ong, referring to the competitiveness of practice in Singapore. “Small architecture firms need to diversify. Small houses – even semi-ds – are being done by gigantic architecture firms these days. It’s kind of crazy that small firms don’t even have houses as their main fodder anymore.”
Hermes Secret Garden
Hermes Secret Garden
The shifting boundaries of creative practice are also having an effect. “A lot of graphic designers become interior designers, and some want to become architects. I always thought of them as being very separate skills sets or knowledge sets. But increasingly it seems that the industry is moving that way, and somehow clients seem tolerant to that. Before, there was this idea that you needed to have expertise in something. Now it seems that expertise is not important, but rather it’s the way you think.”
Memory Garden, Singapore American School
Memory Garden, Singapore American School
Despite the challenges faced by small firms, Ong relishes the experiences that continue to emerge for Lekker. “I’m really enjoying the breadth of projects we have, and getting to understand a little of how everything works. I’m glad we don’t have just one type of client.”
Singapore Arts Festival ‘Village’
See Lekker Design’s shophouse reinvention at Lorong 24A, Geylang in Cubes issue 63.
Lekker Design
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