Direct from Venice, Lucy Bullivant reports on the major talking points at this year’s Architecture Biennale.
September 8th, 2010
Kazuko Seijima, partner in SANAA (with Ryue Nishizawa) has focused on the experiential aspects of architecture in her selection for the 12th Venice Architecture Biennale.
The extensive expanses of the Arsenale and Corderie, and rooms of the International Pavilion include artists as well as architects.
Smiljan Radic and Marcela Correa’s The Boy Hidden in a Fish, a simple, elemental refuge in granite, is followed by Wim Wenders’ ‘If Buildings could Talk’, a 3D film about SANAA’s new Rolex Learning Center in Lausanne, Switzerland.

Smiljan Radic + Marcela Correa El Niño Escondido En Un Pez / The Boy Hidden In A Fish, 2010

Interview by Hans Ulrich Obrist with Wim Wenders Now Interviews, 2010 Corderie, Arsenale
Anton Garcia-Abril/Ensemble Studio’s Balancing Act, a contrapuntal structure laid out across the long enfilade of the Arsenale is a fitting counterpoint to Transsolar and Tetsuo Kondo’s Cloudscapes, a spiralling jetty of a form enveloped by clouds.


Anton Garcia-Abril Ensamble Studio Balancing Act, 2010
Next to the International Pavilion in the Giardini is Raumlabor’s Space Buster, an inflatable plastic structure, another sign of Sejima’s love of the ethereal.



Raumlabor, Küchenmonument, 2006
Engrossing displays by Italian architect Lina Bo Bardi (1914-1992), OMA on urban preservation, and by Aldo Cibic and Andrea Branzi, both concerned with urban solutions, Cibic’s of the agro-techno variety appear in the Pavilion, while standout national pavilions (among a total of 56) include Australia’s 3D stereoscopic films of landscapes, ‘Now and When’; Great Britain’s Villa Frankenstein, linking London and Venice past and present and Factory Russia.
Reclaim, three simple, full size fishermen’s huts from Bahrain, a new exhibitor which won the Golden Lion for Best National Pavilion, for its refreshing defence against excessive coastal development, was indicative of the upbeat mood of this year’s Biennale.
Photography by Giorgio Zucchiatti

Transsolar + Tetsuo Kondo Cloudscapes, 2010

Transsolar + Tetsuo Kondo Cloudscapes, 2010

architecten de vylder vinck taillieu ordos 100
INDESIGN is on instagram
Follow @indesignlive
A searchable and comprehensive guide for specifying leading products and their suppliers
Keep up to date with the latest and greatest from our industry BFF's!
Natural stone shapes the interiors of Billyard Avenue, a luxury apartment development in Sydney’s Elizabeth Bay designed by architecture and design practice SJB. Here, a curated selection of stone from Anterior XL sets the backdrop for the project’s material language.
The newest brand to emerge from Cosentino’s creative crucible is Ēclos, a next-generation mineral surface that embodies the organic beauty and tactility of marble in a precision-mineral surface or material.
Blending versatile cooking with smart performance, Bosch AccentLine appliances bring a quieter sense of order and simplicity to the modern kitchen.
The Geelong College’s Sport and Wellbeing Centre ‘Belerren’ designed by Wardle is designed around bringing in natural light. But Shade Factor’s job was to help modulate and precisely control it for the most important competitive moments.
Retail interior designs wrought in DuPont™ Corian® solid surface dazzle both customers and merchants.
For the Cruising Yacht Club of Australia, securing their newly renovated members bar was of the upmost importance, and The Australian Trellis Door Company delivered security with panache.
The internet never sleeps! Here's the stuff you might have missed
AFK Studios’ Earle Arney joined STORIESINDESIGN podcast last year to speak about SyLon. Here, we reproduce a summary on a recent report with NLA that builds on research into housing as infrastructure amidst a landscape of housing crisis.
At Salone del Mobile 2026, Catalan designer Eugeni Quitllet launched Libre, a new seating collection with Pedrali that focuses on form, function and ergonomics.