DQ35 is now in the news stands – pick up your copy for all the latest parties, products and people.
October 7th, 2009
Spring has sprung with DQ35 now out and packed with all the insider info on industry parties, talented designers and products with a pulse.
This issue we catch up with Concert Lighting Designer Bruce Ramus (above), who has worked alongside big names such as David Bowie, James Brown, U2 and REM. We also zip over to New Zealand to check out the beautiful and striking typography of Inhouse Design.
Turn to our exhibitions section for a blow-by-blow account of this year’s Saturday in Design, held in Sydney July 31 – August 1. We’ll send you into sensory overload with the amazing installations and exciting new products released as part of the event. Our SiD coverage also encompasses Launch Pad, which uncovered a fresh range of cutting-edge prototypes and talented designers.
To celebrate spring we’re budding with new ideas, bringing you the latest in Dutch design trends with everything from curious lunchboxes to solar-powered machines that produce their own products without human labour.
Our ever-animated parties section is not to be missed, taking you back to some of the most colourful, glamorous and unforgettable events of the last three months.
DQ magazine goes behind the scenes of the global design industry, bringing you the inside word on the people, products and parties. From this dynamic viewpoint, DQ offers inspiration and ideas, and is an indispensable guide to what is happening in design right now.
Save yourself the trip to the newsagents and subscribe now! Click here to subscribe to Design Quarterly or here to find the nearest stocklist.
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In the second instalment of our performance seating three-parter, we turn to DKO’s Michael Drescher and Jacob Olsen to peek behind Sayl’s confident architectural form and explore the ideas of inclusivity, adaptability and freedom to move as hallmarks of what sitting your best actually means.
In the last instalment of our three-part performance seating series, Alex Bain from Architectus explains why sitting well shouldn’t feel like sitting at all and explores an unexpected success metric of the hybrid workplace: the grounding power of emotional support.
Stepping into Intuit’s Sydney workplace certainly doesn’t feel like walking into an office. Why? In this film, we discover that, when joy takes precedence as a design driver, even a high-performing commercial CBD headquarters can feel like an intuitive wonderland that invites employees to choose their own adventure.
In the first instalment of our three-part series exploring what it means to sit your best, we pose the question to Gray Puksand’s Dale O’Brien, who discusses the importance of ease and majority rule when it comes to sitting and reveals why specifying a task chair is not unlike choosing a Volvo.
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The Ngununggula gallery provides a platform for local and Australian artists to convey their works in a gallery space that holds five exclusive exhibitions a year.
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With a plethora of talks, installations, exhibitions and happenings responding to this year’s theme (Design The World You Want), the eleven-day festival was the largest to date and arguably the most accomplished since inception.
On the occasion of Salone del Mobile 2026, the Opale collection designed by Patrick Jouin for Pedrali expands with two new iterations: a chair and a barstool with armrests.
Sydney’s Klaro Industrial Design treats manufacturing as the place where design intent is protected – offering commercial designers a responsive, original and considered way to specify.
The Geelong College’s Sport and Wellbeing Centre ‘Belerren’ designed by Wardle is designed around bringing in natural light. But Shade Factor’s job was to help modulate and precisely control it for the most important competitive moments.