This myth-inspired workplace by Studio Pacific for New Zealand’s Ministry of Social Development is a stellar, inventive design that imbues the workplace with conceptual meaning that aligns with its mission.
Myth and mission align at the new Wellington head office of the Ministry of Social Development (MSD), New Zealand’s national social welfare agency. Inspired by the Māori creation myth, the Studio Pacific design team looked to the legend of Tãne for meaning and to New Zealand’s most famous kauri tree Tãne Mahuta for aesthetics to create a workplace where MSD staff can help New Zealanders be safe, strong and independent.
“The basic brief was to accommodate 2000 staff in 24,000 square metres of office space in a way that provided flexibility and a variety of work settings,” says Michael Davis, Senior Principal and Project Leader at Studio Pacific. This included incorporating key workplace principles that promote equality and productivity: flexible open-plan environments for use by everyone; amenities provided on the basis of need; and spaces that cater for a range of work types and styles.
Meaning and aesthetics are layered upon that functionality to create a workplace inspired by the legend of Tãne and his long-standing legacy. In the Māori creation myth, Tãne separated his sky-father and earth-mother to let light into the world and became known as the god of the forest and birds. “Because MSD affects many people in New Zealand we were very keen to express something relevant to all of New Zealand,” Michael says. “This theme of letting light into people’s lives aligned nicely with the role of MSD as a social welfare agency and its purpose of helping New Zealanders to become safe and strong.”
The embodiment of Tãne is New Zealand’s largest kauri tree Tãne Mahuta, which inspired the colours, patterns and textures of the MSD workplace. The silver, green and orange colourways are derived from the colours of the tree, leaves and cones. The roots expressed in the ceiling of the reception area and visitor floor – “conceptually taking ‘nutrients’ from those entering the organisation” – and the tree bark and tree canopy around the stair rises up through the building and links collaborative hub areas on all floors. Leaf and kauri cone patterns also inspired the ceiling, window and fabric treatments.
“The kauri tree, as an expression of being upright and standing tall, also aligns with MSD’s purpose of enabling New Zealanders to be independent,” says Michael. Indeed, as the forest proved vital for life for the earliest arrivals to Aotearoa, providing food, shelter and resources, the MSD proves vital for many New Zealanders today, continuing to help provide access to food, shelter and resources.
INDESIGN is on instagram
Follow @indesignlive
A searchable and comprehensive guide for specifying leading products and their suppliers
Keep up to date with the latest and greatest from our industry BFF's!
In the first instalment of our three-part series exploring what it means to sit your best, we pose the question to Gray Puksand’s Dale O’Brien, who discusses the importance of ease and majority rule when it comes to sitting and reveals why specifying a task chair is not unlike choosing a Volvo.
Stepping into Intuit’s Sydney workplace certainly doesn’t feel like walking into an office. Why? In this film, we discover that, when joy takes precedence as a design driver, even a high-performing commercial CBD headquarters can feel like an intuitive wonderland that invites employees to choose their own adventure.
Blending versatile cooking with smart performance, Bosch AccentLine appliances bring a quieter sense of order and simplicity to the modern kitchen.
Natural stone shapes the interiors of Billyard Avenue, a luxury apartment development in Sydney’s Elizabeth Bay designed by architecture and design practice SJB. Here, a curated selection of stone from Anterior XL sets the backdrop for the project’s material language.
For Libertine Parfumerie’s new Armadale boutique, Tamsin Johnson looked to the warmth of the home and the rhythm of old-world shopfronts to make fragrance retail feel slower, richer and more personal.
Powerhouse Parramatta has commissioned more than 50 leading designers from across Australia to shape the spaces and experiences of the new museum, including public, exhibition, restaurant and retail spaces.
The internet never sleeps! Here's the stuff you might have missed
Scheduled to open later this year on the banks of the Parramatta River, the 30,000-square-metre Powerhouse museum — designed by Moreau Kusunoki in collaboration with Genton — represents a major shift in the geography of Sydney’s cultural infrastructure.
Curator, writer and educator Kate Goodwin was in town for Melbourne Design Week. Here, she reflects on how light-touch organising and designer-led spaces created some of the most impactful, distinctive exhibitions.