Designed in 1963 by Katsuhei Toyoguchi the spoke chair has proved timeless. Available in a wide selection of quality fabrics and suitable for commercial and residential applications, the spoke chair will be sure to impress. Designed and manufactured in Japan. Dimensions: W810 d680 h830 sh340 Delivery time: 8-10 weeks Applications: Commercial and Residential Manufacturer: Tendo
November 21st, 2008
Designed in 1963 by Katsuhei Toyoguchi the spoke chair has proved timeless. Available in a wide selection of quality fabrics and suitable for commercial and residential applications, the spoke chair will be sure to impress. Designed and manufactured in Japan.
Dimensions: W810 d680 h830 sh340
Delivery time: 8-10 weeks
Applications: Commercial and Residential
Manufacturer: Tendo
INDESIGN is on instagram
Follow @indesignlive
A searchable and comprehensive guide for specifying leading products and their suppliers
Keep up to date with the latest and greatest from our industry BFF's!
BLANCOCULINA-S II Sensor promotes water efficiency and reduces waste, representing a leap forward in faucet technology.
XTRA celebrates the distinctive and unexpected work of Magis in their Singapore showroom.
To honour Chef James Won’s appointment as Gaggenau’s first Malaysian Culinary Partner, we asked the gastronomic luminaire about parallels between Gaggenau’s ethos and his own practice, his multidimensional vision of Modern Malaysian – and how his early experiences of KFC’s accessible, bold flavours influenced his concept of fine dining.
In the lead up to the ultimate industry edit – the Indesign x Habitus x LightCo #Salone2017 Review – we take the time to introduce you to our illustrious panel of speakers one by one! Today: Interior and industrial Designer, Henry Wilson.
The internet never sleeps! Here's the stuff you might have missed
BREWTOWN in Shenzhen reimagines the brewing process, transforming it into a spatial experience that blends the elements of beer production with the modern energy of the city.
At a time when collaboration is often leveraged as a vehicle for brand amplification rather than a genuine exchange of ideas, Bankston and Sans-Arc Studio offer a compelling rejoinder.