When it comes to working in an office, hell really can be other people. With a growing number of people working in open plan offices, the noise levels they each experience are on the increase – but is it all in your head?
Special guest story by Woven Image’s Michael Tyerman
The upsides of open plan offices, included increased communication, lower release estate costs and less hierarchal structures, are great but they are not perfect; with open plan also coming with a lack of privacy and greater exposure to other people.
A study of 13,000 employees carried out in the US by John Olson of BOSTI Associates found that the most important factor in productivity was ‘distraction-free work’.
A 2015 analysis of 100 research papers by the environmental psychologist Dr Nigel Oseland found that just 25 percent of the effect of noise in the office could be attributed to its volume, half of the effect is due to context and attitude, perceived control and predictability and personality type.
The things that cause the most stress, annoyance and distraction are those that are either irrelevant or over which people have no control. It’s not just about the level of noise, but its type. Scandinavian researchers Anders Kjellberg and Bertil Nordstrom found that the noise of printers and other equipment is only really annoying for the people not using them.
What such studies confirm is that office design must take a sophisticated approach to the issue of acoustics. The problem of noise in offices has both a physical and psychological dimension, so solutions must reflect both the solid and easy to define characteristics the building and its interior, but the rather less easily definable issue of culture. That is not to say that it’s all in our heads, but that we must look at all of the facets of acoustic design if we are to come up with the best possible solutions.
INDESIGN is on instagram
Follow @indesignlive
A searchable and comprehensive guide for specifying leading products and their suppliers
Keep up to date with the latest and greatest from our industry BFF's!
Developed by bangdesign for Stylecraft, Kinn is an Australian-made collection of seating and occasional tables, shaped by modest proportions, practical detail and the changing demands of shared interiors.
The Geelong College’s Sport and Wellbeing Centre ‘Belerren’ designed by Wardle is designed around bringing in natural light. But Shade Factor’s job was to help modulate and precisely control it for the most important competitive moments.
At 3daysofdesign 2026, AHEC’s immersive exhibition traced the journey of American hardwood from forest to finished product.
Aeron Chair’s new shades, Nightfall and Jasper, arrive with a sense of quiet cohesion – no bells and whistles, no loud technicolour; just two timeless, perfectly versatile near-neutrals. But the new hues aren’t just about colour – and their significance is much more profound than their surface-level subtlety might suggest.
Sonali and Manit Rastogi are a powerhouse couple. Partners in life and work, they create architecture for people and place that truly makes a difference, while shaping a sustainable design pathway for the future.
Woven Image welcomed more than 100 architects and designers to Sydney to celebrate its latest collaboration with Australian artist Ben Goss, exploring how art and colour are shaping contemporary commercial interiors.
As Woven Image celebrates 40 years, it introduces a new collection developed in collaboration with Australian artist Ben Goss, inspired by his original artwork Where the Kookaburra Sits into a vibrant collection of digitally printed EchoPanel® murals and patterns.
The internet never sleeps! Here's the stuff you might have missed
As Woven Image celebrates 40 years, it introduces a new collection developed in collaboration with Australian artist Ben Goss, inspired by his original artwork Where the Kookaburra Sits into a vibrant collection of digitally printed EchoPanel® murals and patterns.