Its amazing that this classic armchair was designed by Eileen Grey in 1929, it remains as good today as it was then. Dimensions: 90 x 83 x H73 Applications: Commercial or residential Variations: Colour choice Finish: Leather or Fabric Designer: Eileen Gray 1929, www.classicon.com
November 21st, 2008
Its amazing that this classic armchair was designed by Eileen Grey in 1929, it remains as good today as it was then.
Dimensions: 90 x 83 x H73
Applications: Commercial or residential
Variations: Colour choice
Finish: Leather or Fabric
Designer: Eileen Gray 1929, www.classicon.com
INDESIGN is on instagram
Follow @indesignlive
A searchable and comprehensive guide for specifying leading products and their suppliers
Keep up to date with the latest and greatest from our industry BFF's!
How can design empower the individual in a workplace transforming from a place to an activity? Here, Design Director Joel Sampson reveals how prioritising human needs – including agency, privacy, pause and connection – and leveraging responsive spatial solutions like the Herman Miller Bay Work Pod is key to crafting engaging and radically inclusive hybrid environments.
It’s widely accepted that nature – the original, most accomplished design blueprint – cannot be improved upon. But the exclusive Crypton Leather range proves that it can undoubtedly be enhanced, augmented and extended, signalling a new era of limitless organic materiality.
In this candid interview, the culinary mastermind behind Singapore’s Nouri and Appetite talks about food as an act of human connection that transcends borders and accolades, the crucial role of technology in preserving its unifying power, and finding a kindred spirit in Gaggenau’s reverence for tradition and relentless pursuit of innovation.
As one of the many entries to The Building category at the 2024 INDE.Awards, this community centre is something out of the ordinary through its architectural design, that also provides a place for community and connection for many.
The internet never sleeps! Here's the stuff you might have missed
A regional mall, residential garden, school yard and train station were all among the projects honoured at this year’s Australian Institute of Landscape Architects’ (AILA) Victorian Awards.
On the eve of Cerith Wyn Evans’ first museum exhibition in the Asia-Pacific region, we interviewed the internationally acclaimed contemporary artist in a wide-ranging discussion spanning Japanese gardens, the aesthetics of Buddhism and the Australian light.
While the alluring myth of a lone genius can be particularly appealing, Knoll’s enduring legacy was built on a more profound reality: that a singular vision is only augmented through dialogue, proving that collaboration is one of the most transformative tools in design.