The home of architecture and design in the Asia-Pacific

Get the latest design news direct to your inbox!

DECODE Heavy Desk Lamp, Heavy Light and Heavy Wall Light

A culmination of innovative manufacture, visual simplicity and the desire to challenge perceptions of raw materials.

DECODE Heavy Desk Lamp, Heavy Light and Heavy Wall Light


BY

December 1st, 2011


HALO Lighting is excited to announce this latest collection by Decode. Designed by Benjamin Hubert, the new Heavy series is a ’culmination of innovative manufacture, visual simplicity and the desire to challenge perceptions of raw materials’ (Hubert, 2009). Making use of concrete this series includes a family of pendants available in various sizes, wall lamps and desk lamps. Decode push boundaries and are known for their collaboration with noted designers, architects and artists. Designed and made in London this range is exclusive to HALO (WA).

The Heavy Desk Lamp has a hand-cast concrete base and shade joined by a wooden arm of oak or walnut. In contrast, a simplistic, yet striking red fabric cable is threaded through the arm. The lamps were nominated for the 100% Design/Blueprint Best New Product and were awarded British Design of the Year in 2009.

The suspension series Heavy Lights place an un-expected twist on high-end lighting. The concrete shades are 5mm thin and rather lightweight, juxtaposing their heavy appearance. The neutral colour schemes and polished concrete shades give the pieces a clean, industrial and un-pretentious look. The pendants are available in three sizes and in colours white, light grey and dark grey.

Other pieces from the 2011 Decode collection can be found at www.halolighting.com.au/brand/decode, including the Vessel, Re-spun and the Wire series.

Materials
Heavy Lights and Heavy Wall Lights:
White, light grey or dark grey hand-cast concrete shade in natural finish. Fittings in either red braided cable with brushed steel ceiling rose or white braided cable with white ceiling rose.

Heavy Desk Lamp:
Light grey concrete shade and base with oak arm or dark grey concrete shade and base with walnut arm. Red fabric cable and stainless steel fittings.

Dimensions
Heavy Lights:
H.130mm / DIA.120mm
H.150mm / DIA.170mm
H.235mm / DIA.288mm

Heavy Desk Lamps:
H. 460mm / W.200mm / D.300mm

Halo Lighting
(08) 9221 5544
info@halolighting.com.au

INDESIGN is on instagram

Follow @indesignlive


The Indesign Collection

A searchable and comprehensive guide for specifying leading products and their suppliers


Indesign Our Partners

Keep up to date with the latest and greatest from our industry BFF's!

Dale O’Brien on sitting easy with Herman Miller’s Verus Chair

Dale O’Brien on sitting easy with Herman Miller’s Verus Chair

In the first instalment of our three-part series exploring what it means to sit your best, we pose the question to Gray Puksand’s Dale O’Brien, who discusses the importance of ease and majority rule when it comes to sitting and reveals why specifying a task chair is not unlike choosing a Volvo.

A collective vision: The whimsical workplace with Intuit, COX and MillerKnoll

A collective vision: The whimsical workplace with Intuit, COX and MillerKnoll

Stepping into Intuit’s Sydney workplace certainly doesn’t feel like walking into an office. Why? In this film, we discover that, when joy takes precedence as a design driver, even a high-performing commercial CBD headquarters can feel like an intuitive wonderland that invites employees to choose their own adventure.

Material integrity at SJB’s Billyard Avenue

Material integrity at SJB’s Billyard Avenue

Natural stone shapes the interiors of Billyard Avenue, a luxury apartment development in Sydney’s Elizabeth Bay designed by architecture and design practice SJB. Here, a curated selection of stone from Anterior XL sets the backdrop for the project’s material language.

Michael Drescher and Jacob Olsen on finding the sweet spot with Herman Miller’s Sayl Chair

Michael Drescher and Jacob Olsen on finding the sweet spot with Herman Miller’s Sayl Chair

In the second instalment of our performance seating three-parter, we turn to DKO’s Michael Drescher and Jacob Olsen to peek behind Sayl’s confident architectural form and explore the ideas of inclusivity, adaptability and freedom to move as hallmarks of what sitting your best actually means.

Related Stories


While you were sleeping

The internet never sleeps! Here's the stuff you might have missed