November 8th, 2011
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Stepping into Intuit’s Sydney workplace certainly doesn’t feel like walking into an office. Why? In this film, we discover that, when joy takes precedence as a design driver, even a high-performing commercial CBD headquarters can feel like an intuitive wonderland that invites employees to choose their own adventure.
As Woven Image celebrates 40 years, it introduces a new collection developed in collaboration with Australian artist Ben Goss, inspired by his original artwork Where the Kookaburra Sits into a vibrant collection of digitally printed EchoPanel® murals and patterns.
In the second instalment of our performance seating three-parter, we turn to DKO’s Michael Drescher and Jacob Olsen to peek behind Sayl’s confident architectural form and explore the ideas of inclusivity, adaptability and freedom to move as hallmarks of what sitting your best actually means.
Aeron Chair’s new shades, Nightfall and Jasper, arrive with a sense of quiet cohesion – no bells and whistles, no loud technicolour; just two timeless, perfectly versatile near-neutrals. But the new hues aren’t just about colour – and their significance is much more profound than their surface-level subtlety might suggest.
Practicing architecture and giving back to the next generation of students, Jenchieh Hung of HAS design and research is ensuring that the landscape of Thailand is in very good hands for the future.
Australian practice, Conrad Gargett, takes out the design competition for the Misk Foundation in the world’s first non-profit city.
The internet never sleeps! Here's the stuff you might have missed
Arts writer and editor Victoria Hynes reports on the breadth of this year’s Venice Biennale, drawing out highlights from national pavilions including Australia, Morocco, India and the UK.
A recent gathering hosted by Wilkhahn brought designers together to discuss flexibility, technology and the changing role of the workplace.