A new book investigates the religious architecture of Studio Aalto, the Finnish practice that has influenced the work of architects including Glenn Murcutt and Jørn Utzon.
January 22nd, 2024
‘The Religious Architecture of Alvar, Aino and Elissa Aalto’ provides a fascinating, rigorous and at times moving account of the sacred architecture of the famous Finnish practice. Published by Lund Humphries, the book is written by Dr Sofia Singler, Assistant Professor of Architecture at Cambridge and a Fellow of St John’s College, Cambridge, where she teaches and researches modern architecture. Dr Singler has collaborated with the Alvar Aalto Museum in Finland for more than a decade and previously held the Edward P. Bass Scholarship at the Yale School of Architecture and a Gates Trust Doctoral Scholarship at Cambridge, having also trained as both an architect and an architectural historian.
Finnish architect, Alvar Aalto (1898-1976), is of course a highly prominent figure in twentieth-century architecture and the history of modernism. This book, however, seeks to cover new critical ground with a reappraisal of the significance and influences upon the religious work of his studio. The emphasis on the studio rather than the individual is indeed a key – and welcome – point stressed early in the book by the author.
The new critical ground centres on an argument that refutes Studio Aalto’s religious architecture as merely “artistic opportunism.” It argues that religious influences were significant in relation to Aalto’s modernism – neither wholly determining nor wholly instrumental, but intimately related to it.
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While the book travels deep into specifically Finnish territory, the questions it raises have strongly universal dimensions for all modern architecture. They recall the debates around Critical Regionalism, and the general dissatisfaction with modernism’s perceived coldness and excessive rationalism.
In the context of something like post-postmodernism, ‘The Religious Architecture of Alvar, Aino and Elissa Aalto’ is a welcome intervention that tackles issues with wide significance through a sustained engagement with specific circumstances. In re-evaluating Aalto’s approach to the sacred, it invites architects and designers to consider modernism in more nuanced light.
The book analyses designs for churches, parish centres, funerary chapels and cemeteries in Finland, Denmark, Germany and Italy. The Church of the Three Crosses (1955–58) in Imatra, Finland is given particular attention as the most famous and architecturally impressive of Aalto’s churches. The author cites it as ultimate evidence of Aalto’s exploitation of the religious brief for the creation of a “sculptural irrationality.”
In order to get to this point, the reader is also taken on a contextual journey through post-Second World War Finland, its politics of borders, urban growth, industrialisation and the Church. A full account is given, for example, of Imatra’s development as an urban centre and how the religious architecture related to other design work there.
At the core of the account of works such as the Church of the Three Crosses is a familiar modernist problem: should a new building, such as a church, place more weight on historical continuity or relevance to the contemporary age? For architectural practitioners and afficionados, this book provides a highly engaging way in to such problems.
Featuring 150 colour illustrations and 55 black-and-white illustrations, ‘The Religious Architecture of Alvar, Aino and Elissa Aalto’ is published by Lund Humphries and available now.
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