Now in its fifth year, Launch Pad has been launching the careers of Australian designers since 2004. Entries for the prestigious design competition are now extended until 5th May.
March 26th, 2008
David Knott’s ‘036’ pendant lamp (finalist in 2005) is now being sold by Gineico, while Simon Duff’s ‘Mushroom’ floor lamp (finalist in 2007) has recently been launched by Vibe Furniture. Other productive designers such as Keith Melbourne, Brian Steendyk, Helen Kontouris, Charles Wilson, Ross Didier, Steven Blaess and Nick Rennie have taken part in the program.
Due to popular demand, the Launch Pad entries are being kept open until Monday 5th May.
Now accepting online application forms, this years’ Launch Pad program is set to rock with special guests, internationally renowned designers Carlo Columbo and Harald Gründl (Eoos), who will be at the Launch Pad functions in person to give feedback to the finalists.
An intimate mentoring afternoon with key industry specialists, followed by an industry evening to network and exhibit the products are just some of the exciting benefits for 2008 finalists.
All finalists products will receive national and international exposure through Indesign and DQ magazines, as well as indesignlive.com. Finalists are also promoted in association with Saturday in Design in the official event handbook, distributed to all event attendees. Last year this included 6000+ industry professionals.
Launch Pad is proudly sponsored by Woven Image and Living Edge, and the 2008 Finalists Exhibition will be designed by esteemed Australian design duo, bangdesign, held at Melbourne Museum.
Image Caption: Simon Duff’s ‘Mushroom’ floor lamp (finalist in 2007)
INDESIGN is on instagram
Follow @indesignlive
A searchable and comprehensive guide for specifying leading products and their suppliers
Keep up to date with the latest and greatest from our industry BFF's!
In the first instalment of our three-part series exploring what it means to sit your best, we pose the question to Gray Puksand’s Dale O’Brien, who discusses the importance of ease and majority rule when it comes to sitting and reveals why specifying a task chair is not unlike choosing a Volvo.
The Geelong College’s Sport and Wellbeing Centre ‘Belerren’ designed by Wardle is designed around bringing in natural light. But Shade Factor’s job was to help modulate and precisely control it for the most important competitive moments.
Stepping into Intuit’s Sydney workplace certainly doesn’t feel like walking into an office. Why? In this film, we discover that, when joy takes precedence as a design driver, even a high-performing commercial CBD headquarters can feel like an intuitive wonderland that invites employees to choose their own adventure.
Natural stone shapes the interiors of Billyard Avenue, a luxury apartment development in Sydney’s Elizabeth Bay designed by architecture and design practice SJB. Here, a curated selection of stone from Anterior XL sets the backdrop for the project’s material language.
How to make a global tech giant with a transient workforce feel at home? Find out with Sydney’s new Microsoft Technology Centre.
Capturing the refined exuberance of an expertly poured glass of bubbly, Foolscap Studio’s sumptuously reimagined Domaine Chandon winery brings renewed effervescence to a well-loved Yarra Valley destination.
Italian outfit Lucifero’s are the true masters of minimal lighting. The fresh, forward thinking company is a leader in high quality architectural lighting, with distinct discreet, understated aesthetic.
The I-Pipedi collection designed by Lucifero’s epitomises the key underlying philosophy: less is more. This approach is key when designing a range of interior and exterior spaces, from residential and retail to hospitality and mixed use, and Gineico Interiors is well-equipped to help find the right lighting solution for your next project.
The internet never sleeps! Here's the stuff you might have missed
After Milan Design Week’s ‘festival of consumption’, 3daysofdesign offers a much-needed reset, an opportunity to ‘make the world a better place’ and perhaps even a soft-launch of the future.
For Mutual Trust’s Adelaide workplace, Woods Bagot drew on the idea of a stately family home to create an interior shaped by legacy and ease.